The Filigree Ball: Being a full and true account of the solution of the mystery concerning the Jeffrey-Moore affairGreen, Anna Katharine
General
The Filigree Ball: Being a full and true account of the solution of the mystery concerning the Jeffrey-Moore affair
Green, Anna Katharine
Detective and mystery stories
How it came there—whether it rolled from the table, or was swept off
inadvertently by the detective’s hand, and how it came to be caught by
this old tassel and held there in spite of the many shakings it must
have received, did not concern me at this momentous instant. The
talisman of this old family was found. I had but to discover what it
held concealed to understand what had baffled Mr. Moore and made the
mystery he had endeavored to penetrate so insolvable. Rejoicing in my
triumph, but not wasting a moment in self-congratulation, I bent over
the candle with my prize and sought for the clasp or fastening which
held its two parts together. I have a knack at clasps and curious
fastenings and was able at first touch to spring this one open. And
what did I find inside? Something so different from what I expected,
something so trivial and seemingly harmless, that it was not until I
recalled the final words of Uncle David’s memorandum that I realized
its full import and the possibilities it suggested. In itself it was
nothing but a minute magnifying glass; but when used in connection
with—what? Ah, that was just what Uncle David failed to say, possibly
to know. Yet this was now the important point, the culminating fact
which might lead to a full understanding of these many tragedies. Could
I hope to guess what presented itself to Mr. Moore as a difficult if
not insolvable problem? No; guessing would not answer. I must trust to
the inspiration of the moment which suggested with almost irresistible
conviction:
_The picture! That inane and seemingly worthless drawing over the
fireplace in The Colonel’s Own, whose presence in so rich a room has
always been a mystery!_
Why this object should have suggested itself to me and with such
instant conviction, I can not readily say. Whether, from my position
near the bed, the sight of this old drawing recalled the restless
nights of all who had lain in face of its sickly smile, or whether some
recollection of that secret law of the Moores which forbade the removal
of any of their pictures from the time-worn walls, or a remembrance of
the curiosity which this picture excited in every one who looked at
it—Francis Jeffrey among the number—I no sooner asked myself what
object in this house might possibly yield counsel or suggest aid when
subjected to the influence of a magnifying glass, than the answer,
which I have already given, sprang instantly into my mind: The picture!
Greatly excited, I sprang upon a chair, took down the drawing from the
wall and laid it face up on the bed. Then I placed the glass over one
of the large coils surrounding the insipid face, and was startled
enough, in spite of all mental preparation, to perceive the crinkly
lines which formed it, resolve themselves into script and the script
into words, some of which were perfectly legible.
Public-domain text, read in full here on John Shaqi.
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