The drawing, simple as it looked, was a communication in writing to those who used a magnifying glass to read it. I could hardly contain my triumph, hardly find the self-control necessary to a careful study of its undulating and often conflicting lines and to the slow picking out of the words therein contained. But when I had done this, and had copied the whole of the wandering scrawl on a page of my note book the result was of value. Read, and judge for yourself. “Coward that I am, I am willing to throw upon posterity the shadow of a crime whose consequences I dare not incur in life. Confession I must make. To die and leave no record of my deed is impossible. Yet how tell my story so that only my own heirs may read and they when at the crisis of their fate? I believe I have found the way by this drawing and the injunction I have left to the holders of the filigree ball. “No man ever wished his enemy dead more than I did, and no man ever spent more cunning on the deed. Master in my own house, I contrived a device by which the man who held my fate in his hands fell on my library hearth with no one near and no sign by which to associate me with the act. Does this seem like the assertion of a madman? Go to the old chamber familiarly called “The Colonel’s Own.” Enter its closet, pull out its two drawers, and in the opening thus made seek for the loophole at the back, through which, if you stoop low enough, you can catch a glimpse of the library hearth and its great settle. With these in view, slip your finger along the wall on your right and when it touches an obstruction—pass it if it is a handle, for that is only used to rewind the apparatus and must be turned from you until it can be turned no farther; but if it is a depression you encounter, press, and press hard on the knob concealed within it. But beware when any one you love is seated in that corner of the settle where the cushion invites rest, lest it be your fate to mourn and wail as it is mine to curse the hour when I sought to clear my way by murder. For the doom of the man of blood is upon me. The hindrance is gone from my life, but a horror has entered it beyond the conception of any soul that has not yielded itself to the unimaginable influences emanating from an accomplished crime. _I can not be content with having pressed that spring once_. A mania is upon me which, after thirty years of useless resistance and superhuman struggle, still draws me from bed and sleep to rehearse in ghastly fashion that deed of my early manhood. I can not resist it. To tear out the deadly mechanism, unhinge weight and drum and rid the house of every evidence of crime would but drive me to shriek my guilt aloud and act in open pantomime what I now go through in fearsome silence and secrecy. When the hour comes, as come it must, that I can not rise and enter that fatal closet, I shall still enact the deed in dreams, and shriek aloud in my sleep and wish myself dead and yet fear