The Filigree Ball: Being a full and true account of the solution of the mystery concerning the Jeffrey-Moore affairGreen, Anna Katharine
General
The Filigree Ball: Being a full and true account of the solution of the mystery concerning the Jeffrey-Moore affair
Green, Anna Katharine
Detective and mystery stories
The effect was ghostly; but while the fellow at my side breathed hard
he did not take advantage of my words to make his escape, as I half
expected him to. Perhaps, like myself, he was fascinated by the dreary
spectacle of long shadowy walls and an equally shadowy staircase
emerging from a darkness which a minute before had seemed impenetrable.
Perhaps he was simply ashamed. At all events he stood his ground,
scrutinizing with rolling eyes that portion of the hall where two
columns, with gilded Corinthian capitals, marked the door of the room
which no man entered without purpose or passed without dread. Doubtless
he was thinking of that which had so frequently been carried out
between those columns. I know that I was; and when, in the sudden draft
made by the open door, some open draperies hanging near those columns
blew out with a sudden swoop and shiver, I was not at all astonished to
see him lose what little courage had remained in him. The truth is, I
was startled myself, but I was able to hide the fact and to whisper
back to him, fiercely:
“Don’t be an idiot. That curtain hides nothing worse than some sneaking
political refugee or a gang of counterfeiters.”
“Maybe. I’d just like to put my hand on Upson and—”
“Hush!”
I had just heard something.
For a moment we stood breathless, but as the sound was not repeated I
concluded that it was the creaking of that far-away shutter. Certainly
there was nothing moving near us.
“Shall we go upstairs?” whispered Hibbard.
“Not till we have made sure that all is right down here”
A door stood slightly ajar on our left.
Pushing it open, we looked in. A well furnished parlor was before us.
“Here’s where the wedding took place,” remarked Hibbard, straining his
head over my shoulder.
There were signs of this wedding on every side. Walls and ceilings had
been hung with garlands, and these still clung to the mantelpiece and
over and around the various doorways. Torn-off branches and the
remnants of old bouquets, dropped from the hands of flying guests,
littered the carpet, adding to the general confusion of overturned
chairs and tables. Everywhere were evidences of the haste with which
the place had been vacated as well as the superstitious dread which had
prevented it being re-entered for the commonplace purpose of cleaning.
Even the piano had not been shut, and under it lay some scattered
sheets of music which had been left where they fell, to the probable
loss of some poor musician. The clock occupying the center of the
mantelpiece alone gave evidence of life. It had been wound for the
wedding and had not yet run down. Its tick-tick came faint enough,
however, through the darkness, as if it too had lost heart and would
soon lapse into the deadly quiet of its ghostly surroundings.
“It’s—it’s funeral-like,” chattered Hibbard.
He was right; I felt as if I were shutting the lid of a coffin when I
finally closed the door.
Public-domain text, read in full here on John Shaqi.
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