THE FINAL FIGURE
Novelet of the Day After Tomorrow
by Sam Merwin, Jr.
(_illustrated by Paul Orban_)
[Transcriber's Note: This etext was produced from Dynamic Science
Fiction January 1954. Extensive research did not uncover any evidence
that the U.S. copyright on this publication was renewed.]
[Illustration: The General had an unpleasant vision as he watched this
model in operation....]
Was it a wild talent that MacReedy had, or was it just prophetic
genius that led him to figure out new, improved ordnance weapons
and make models of them--before the armed forces had them?
Whichever it was, MacReedy was both valuable and dangerous--and
when the general saw MacReedy's final figure, the weapons following
the mobile rocket A-missile launcher....
The General was in mufti. He stood briefly within the entrance of
_Models and Miniatures, Inc._, feeling a mild envy of the civilians who
brushed past him, coming and going. They looked so easy, so relaxed, so
casual in posture and dress. He was wistfully aware of the West Point
ramrod that was his spine, the razor-edged bandbox neatness of his
banker's grey suit, the Herbert Hoover four-squareness of his homburg,
the stiff-symmetry of his dark-blue fore-in-hand.
He found compensation in visualizing some of these casual civilians in
uniform--then shuddered, and moved on into the shop, poise and assurance
restored.
Save for the display-counters and wall-cases, the shop was softly
lighted. And although it was well filled with customers and lookers of
all ages there was about it the hushed quality of a library--or a
chapel. Even the children talked softly as they pointed at and discussed
this 100-gauge English locomotive or that working jet-model of a
Vought-Chance _Cutlass_. They were well-aware of being in sight of wish
and dream-fulfillment.
He moved slowly toward the rear of the shop, past the glass counters
that displayed gaily-painted models of carriages, coaches and early
automobiles; past the fire-engines in red and gold; past the railroads;
past the planes and past the tiny ships--from Phoenician galleys and
Viking vessels with gaudily-decorative sails and shields to the latest
bizarre-decked atomic aircraft carrier.
He stood in front of the miniature soldiers and, for a happy moment,
recaptured the glamour of parades and gay uniforms that had beckoned
him into a career whose color and band-music had long since been worn
off by the nerve-wracking tragedy of battle and the endless ulcerating
paper-work of peace.
_Busman's holiday_, he thought. _Sailors in a rowboat in Central Park._
And he was glad he had not worn his uniform.
Public-domain text, read in full here on John Shaqi.
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