Capitalists and financiers -- Fiction; Psychological fiction
It was a cheerless afternoon in November, when Alderson, duly informed
of the presence of Aileen and Cowperwood in the South Sixth Street
house by the detective on guard drove rapidly up to Butler’s office and
invited him to come with him. Yet even now Butler could scarcely
believe that he was to find his daughter there. The shame of it. The
horror. What would he say to her? How reproach her? What would he do to
Cowperwood? His large hands shook as he thought. They drove rapidly to
within a few doors of the place, where a second detective on guard
across the street approached. Butler and Alderson descended from the
vehicle, and together they approached the door. It was now almost
four-thirty in the afternoon. In a room within the house, Cowperwood,
his coat and vest off, was listening to Aileen’s account of her
troubles.
The room in which they were sitting at the time was typical of the
rather commonplace idea of luxury which then prevailed. Most of the
“sets” of furniture put on the market for general sale by the furniture
companies were, when they approached in any way the correct idea of
luxury, imitations of one of the Louis periods. The curtains were
always heavy, frequently brocaded, and not infrequently red. The
carpets were richly flowered in high colors with a thick, velvet nap.
The furniture, of whatever wood it might be made, was almost invariably
heavy, floriated, and cumbersome. This room contained a heavily
constructed bed of walnut, with washstand, bureau, and wardrobe to
match. A large, square mirror in a gold frame was hung over the
washstand. Some poor engravings of landscapes and several nude figures
were hung in gold frames on the wall. The gilt-framed chairs were
upholstered in pink-and-white-flowered brocade, with polished brass
tacks. The carpet was of thick Brussels, pale cream and pink in hue,
with large blue jardinieres containing flowers woven in as ornaments.
The general effect was light, rich, and a little stuffy.
“You know I get desperately frightened, sometimes,” said Aileen.
“Father might be watching us, you know. I’ve often wondered what I’d do
if he caught us. I couldn’t lie out of this, could I?”
“You certainly couldn’t,” said Cowperwood, who never failed to respond
to the incitement of her charms. She had such lovely smooth arms, a
full, luxuriously tapering throat and neck; her golden-red hair floated
like an aureole about her head, and her large eyes sparkled. The
wondrous vigor of a full womanhood was hers—errant, ill-balanced,
romantic, but exquisite, “but you might as well not cross that bridge
until you come to it,” he continued. “I myself have been thinking that
we had better not go on with this for the present. That letter ought to
have been enough to stop us for the time.”
He came over to where she stood by the dressing-table, adjusting her
hair.
Public-domain text, read in full here on John Shaqi.
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