Capitalists and financiers -- Fiction; Psychological fiction
“You’re such a pretty minx,” he said. He slipped his arm about her and
kissed her pretty mouth. “Nothing sweeter than you this side of
Paradise,” he whispered in her ear.
While this was enacting, Butler and the extra detective had stepped out
of sight, to one side of the front door of the house, while Alderson,
taking the lead, rang the bell. A negro servant appeared.
“Is Mrs. Davis in?” he asked, genially, using the name of the woman in
control. “I’d like to see her.”
“Just come in,” said the maid, unsuspectingly, and indicated a
reception-room on the right. Alderson took off his soft, wide-brimmed
hat and entered. When the maid went up-stairs he immediately returned
to the door and let in Butler and two detectives. The four stepped into
the reception-room unseen. In a few moments the “madam” as the current
word characterized this type of woman, appeared. She was tall, fair,
rugged, and not at all unpleasant to look upon. She had light-blue eyes
and a genial smile. Long contact with the police and the brutalities of
sex in her early life had made her wary, a little afraid of how the
world would use her. This particular method of making a living being
illicit, and she having no other practical knowledge at her command,
she was as anxious to get along peacefully with the police and the
public generally as any struggling tradesman in any walk of life might
have been. She had on a loose, blue-flowered peignoir, or
dressing-gown, open at the front, tied with blue ribbons and showing a
little of her expensive underwear beneath. A large opal ring graced her
left middle finger, and turquoises of vivid blue were pendent from her
ears. She wore yellow silk slippers with bronze buckles; and altogether
her appearance was not out of keeping with the character of the
reception-room itself, which was a composite of gold-flowered
wall-paper, blue and cream-colored Brussels carpet, heavily gold-framed
engravings of reclining nudes, and a gilt-framed pier-glass, which rose
from the floor to the ceiling. Needless to say, Butler was shocked to
the soul of him by this suggestive atmosphere which was supposed to
include his daughter in its destructive reaches.
Alderson motioned one of his detectives to get behind the woman—between
her and the door—which he did.
“Sorry to trouble you, Mrs. Davis,” he said, “but we are looking for a
couple who are in your house here. We’re after a runaway girl. We don’t
want to make any disturbance—merely to get her and take her away.” Mrs.
Davis paled and opened her mouth. “Now don’t make any noise or try to
scream, or we’ll have to stop you. My men are all around the house.
Nobody can get out. Do you know anybody by the name of Cowperwood?”
Public-domain text, read in full here on John Shaqi.
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