The months proceeded apace. A local election intervened and there was a new city treasurer, a new assessor of taxes, and a new mayor; but Edward Malia Butler continued to have apparently the same influence as before. The Butlers and the Cowperwoods had become quite friendly. Mrs. Butler rather liked Lillian, though they were of different religious beliefs; and they went driving or shopping together, the younger woman a little critical and ashamed of the elder because of her poor grammar, her Irish accent, her plebeian tastes—as though the Wiggins had not been as plebeian as any. On the other hand the old lady, as she was compelled to admit, was good-natured and good-hearted. She loved to give, since she had plenty, and sent presents here and there to Lillian, the children, and others. “Now youse must come over and take dinner with us”—the Butlers had arrived at the evening-dinner period—or “Youse must come drive with me to-morrow.” “Aileen, God bless her, is such a foine girl,” or “Norah, the darlin’, is sick the day.” But Aileen, her airs, her aggressive disposition, her love of attention, her vanity, irritated and at times disgusted Mrs. Cowperwood. She was eighteen now, with a figure which was subtly provocative. Her manner was boyish, hoydenish at times, and although convent-trained, she was inclined to balk at restraint in any form. But there was a softness lurking in her blue eyes that was most sympathetic and human. St. Timothy’s and the convent school in Germantown had been the choice of her parents for her education—what they called a good Catholic education. She had learned a great deal about the theory and forms of the Catholic ritual, but she could not understand them. The church, with its tall, dimly radiant windows, its high, white altar, its figure of St. Joseph on one side and the Virgin Mary on the other, clothed in golden-starred robes of blue, wearing haloes and carrying scepters, had impressed her greatly. The church as a whole—any Catholic church—was beautiful to look at—soothing. The altar, during high mass, lit with a half-hundred or more candles, and dignified and made impressive by the rich, lacy vestments of the priests and the acolytes, the impressive needlework and gorgeous colorings of the amice, chasuble, cope, stole, and maniple, took her fancy and held her eye. Let us say there was always lurking in her a sense of grandeur coupled with a love of color and a love of love. From the first she was somewhat sex-conscious. She had no desire for accuracy, no desire for precise information. Innate sensuousness rarely has. It basks in sunshine, bathes in color, dwells in a sense of the impressive and the gorgeous, and rests there. Accuracy is not necessary except in the case of aggressive, acquisitive natures, when it manifests itself in a desire to seize. True controlling sensuousness cannot be manifested in the most active dispositions, nor again in the most accurate.