They lost themselves, these words, rare and exquisite, in the wide
bright genial medium and the Sunday stillness, but even while that
occurred and he was gaping for it she was herself there, in her battered
ladylike truth, to answer for them, to represent them, and, if a further
grace than their simple syllabled beauty were conceivable, almost
embarrassingly to cause them to materialise. Yes, she let her smart and
tight little reticule hang as if it bulged, beneath its clasp, with the
whole portentous sum, and he felt himself glare again at this vividest
of her attested claims. She might have been ready, on the spot, to open
the store to the plunge of his hand, or, with the situation otherwise
conceived, to impose on his pauperised state an acceptance of alms on
a scale unprecedented in the annals of street charity. Nothing so much
counted for him, however, neither grave numeral nor elegant fraction,
as the short, rich, rounded word that the breeze had picked up as it
dropped and seemed now to blow about between them. “To draw--to draw?”
Yes, he gaped it as if it had no sense; the fact being that even while
he did so he was reading into her use of the term more romance than any
word in the language had ever had for him. He, Herbert Dodd, was to live
to “draw,” like people, scarce hampered by the conditions of earth,
whom he had remotely and circuitously heard about, and in fact when he
walked back with her to where she had been sitting it was very much, for
his strained nerves, as if the very bench of desolation itself were to
be the scene of that exploit and he mightn’t really live till he reached
it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account