He could say nothing that, whether as to the sense of it or as to the way of it, didn’t so enrich Mark’s vision of him that our friend, after a little, as this effect proceeded, caught himself in the act of almost too curiously gaping. Everything, from moment to moment, fed his curiosity; such a question, for instance, as whether the quite ordinary peepers of the Newton Winch of their earlier youth could have looked, under any provocation, either dark or wide; such a question, above all, as how _this_ incalculable apparition came by the whole startling power of play of its extravagantly sensitive labial connections--exposed, so to its advantage (he now jumped at one explanation) by the removal of what had probably been one of the vulgar-est of moustaches. With this, at the same time, the oddity of that particular consequence was vivid to him; the glare of his curiosity fairly lasting while he remembered how he had once noted the very opposite turn of the experiment for Phil Bloodgood. He would have said in advance that poor Winch couldn’t have afforded to risk showing his “real” mouth; just as he would have said that in spite of the fine ornament that so considerably muffled it Phil could only have gained by showing his. But to have seen Phil shorn--as he once had done--was earnestly to pray that he might promptly again bristle; beneath Phil’s moustache lurked nothing to “make up” for it in case of removal. While he thought of which things the line of grimace, as he could only have called it, the mobile, interesting, ironic line the great double curve of which connected, in the face before him, the strong nostril with the lower cheek, became the very key to his first idea of Newton’s capture of refinement. He had shaved and was happily transfigured. Phil Bloodgood had shaved and been wellnigh lost; though why should he just now too precipitately drag the reminiscence in?