Margaret of Austria's tomb under the arcade which separates the choir from the chapel of the Virgin is much larger than the other two. The princess is represented twice; underneath lies her dead body in the habit of the Annunciation, her beautiful hair covering her like a mantle, and her feet bare, showing the wound on the sole of the left foot which caused her death. Above she lies as though on a state-bed, wearing her coronet and embroidered robes, her arms folded on her breast. Four beautiful cherubs bear her armorial ensigns, two at her head and two at her feet (the work of Thomas Meyt, the brother of Conrad). Four columns richly moulded spring from the base of the tomb and support the heavy canopy overhead, around which runs her motto: 'Fortune. Infortune. Fort. Une'; whilst everywhere in the richest profusion are carved her emblems, marguerites twining round a palm branch, and the Briquet of Burgundy in the form of a B interlaced with a St. Andrew's cross resting on three stones.[150] And in the niches of the pillars figures of Saints and Virgins, marvels of beauty, stand grouped around, as if guarding her last sleep. [150] The Briquet was a kind of gun; the cross of Burgundy was the St. Andrew's cross. This magnificent monument was the work of many skilled sculptors, amongst others Jean de Louhans, Jean Rodin, Amé de Picard, and Amé Carré. Close to Margaret's tomb, behind the altar of the Virgin, is a beautiful bas-relief deeply cut in white marble, divided into scenes representing the seven joys of the Virgin Mary, a masterpiece of carving. In the choir are the original stained-glass windows, happily uninjured by time. The figures of Philibert and Margaret appear in their robes of state with their patron saints, and are represented kneeling and adoring the Saviour. Love-knots and marguerites abound in the mouldings round the windows. [Illustration: TOMB OF MARGARET OF AUSTRIA IN THE CHURCH OF BROU] In the princess's chapel the stained glass is particularly rich in colouring, and represents the Assumption and Coronation of the Virgin by her Divine Son and God the Father. The apostles below stand round the empty tomb gazing upwards at the glorification of the Mother of God. In the lower lights Philibert and Margaret, richly dressed, kneel at their prie-dieus, supported by their patron saints.