The house is pretentious, being built of cut stone around a large courtyard, the archway to this permitting a carriage to drive in, and acting as the entrance to the mansion itself, which is lighted up, one portion more brilliantly than the other. This is apparently the counting and sample room of Niklaas Bodé Volcker himself. From out its open doors several clerks and half a dozen porters are passing, and big vans of goods are arriving loaded with what are apparently cloths, silks and satins from the flooded water-front. Everyone seems to be on the alert. “I must see Heer Bodé Volcker for a moment,” says Guy to a bustling apprentice. “Must see Heer Bodé Volcker to-night?” gasps the man; “the night in which his warehouses are all flooded?” “I must see him. Do you hear me, fellow? Quick!” mutters Chester, who, being of gentle blood, is accustomed to command merchants, burghers, tradesmen and the like. “That’s impossible, unless you go to the docks,” returns the apprentice. “Heer Bodé Volcker is seeing to the removal of his perishable merchandise at his big warehouse below the English quay.” Baffled in this direction, our adventurer turns his steps from the counting room and going to the principal entrance of the house finds a voluble servant girl in conversation with a man who is apparently the family coachman, the horses and equipage being drawn up in front of the house. They are evidently discussing the inundation of the city, for the girl is interspersing her periods with a good many excited “Och Armes!” and “Groote genades!” As there are lights in the front windows of the house Guy immediately addresses the girl, saying: “Is it possible for me to see any of the members of Niklaas Bodé Volcker’s family?” “I’m not sure,” is the answer. “If Mijn Heer would step in I’ll ask.” She emphasizes this with a respectful courtesy, as Guy’s ready hand puts a few stivers into hers. His manner is commanding, his appearance aristocratic, his hand is generous, and the girl is anxious to do his bidding. Turning toward the right she shows the way into a large vaulted room hung with Spanish stamped leather, the furniture and appointments of which have all the indications of wealth, even luxury, as it has tapestries upon its floor, and many of the articles of its furnishing have been imported from Italy, Spain, and even Turkey itself, some of the rugs being from the looms of Ispahan and Bokara. The apartment is illuminated by a handsome swinging candelabra full of lighted wax candles. From this room a carved oaken stairway leads apparently to the upper apartments of the house.