This volume contains six contemporary accounts of Magellan’s voyage for the circumnavigation of the globe: one was written by a Genoese pilot of the fleet; the second by a Portuguese companion of Duarte Barbosa, which has been preserved by Ramusio; the third by Antonio Pigafetta of Vicenza; and the fourth is a letter of Maximilian Transylvanus, a Secretary of the Emperor Charles V; the fifth a log book of a pilot named Francisco Albo or Alvaro; the sixth is taken from Gaspar Correa’s _Lendas da India_. Of Pigafetta’s account, four manuscripts are known, three of them are in French, and one in Italian. Two of the French manuscripts are in the Bibliothèque Impériale of Paris; one of these, numbered 5,650, is on paper; the other, numbered 68, of the Lavallière collection, is on vellum, and is richly illuminated; it does not contain the Brazilian and Patagonian vocabularies given in No. 5,650, and some rather indecent details are omitted or softened down, which leads to the conclusion that this copy was the one presented by Pigafetta to the Regent, Louise of Savoy. The third French manuscript, and the most complete, was in the possession of M. Beaupré of Nancy till 1855, it then passed into the Solar collection, and in 1861 was sold for 1,650 francs to a London book-seller, and, later, was bought by Sir Thomas Phillipps at Libri’s sale. M. Rd. Thomassy published a memoir in the _Bulletin de la Société de Géographie_ of Paris, September 1843, in which he examines the question whether Pigafetta composed his account of his voyage in French. He has come to a conclusion (which M. Ferdinand Denis has also adopted) in favour of the French manuscript having been originally composed by Pigafetta, and not translated from the Italian, on the grounds of its being addressed to the grand master of Rhodes, Villiers de l’Ile-Adam, who was himself a Frenchman, and that Pigafetta had recently been made a Knight of Rhodes; and that Pigafetta used the French language for the device which he set up over his paternal house in the street of la Luna in Vicenza, “Il n’y a pas de roses sans épines”; that other Italians of the time had written in French; that the Italian MS. of the Ambrosian Library of Milan, published in 1800 by Amoretti, is in bad Italian, mixed with Venetian and Spanish, so that M. Amoretti saw in it rather a copy than the original of the relation presented to the Pope or to the Grand Master; these defects M. Amoretti removed by translating them into good Italian: also that the French edition of Fabre, though stated to be a translation from the Italian, was used in 1536 to publish an Italian edition; whereas if an Italian edition had existed before, that of Fabre would not have been required. Fabre’s edition, moreover, is very imperfect; and he puts what Pigafetta says in the third person. M. Thomassy concludes, therefore, that the version of Fabre was made from some Italian _resumé_.