enraged laugh she drew herself up.--The child began to cry and tried to escape, but the mother sprang over her, her white teeth glistening, and catching her by the shoulder, she pulled her up.--"Did you tell him who you were?"--"Yes!" cried the child, but the mother heard not, saw not, she only asked again twice, three times:--"Did you tell him who you were?"--"Yes, yes, yes, yes!" and the child held up her hands entreatingly. Then the mother rose up to her full height:--"So he got to know!--What did he say?"--"He ran in after a gun to shoot me."--"He shoot you!" she laughed in the utmost scorn. The child, scared and bespattered with soup had crept into the chimney corner, she was drying herself and crying, when the mother came to her again:--"If you go to him," she said, and took and shook her, "or speak to him, or listen to him. Heaven have mercy upon both him and you! Tell him so from me! Tell him so from me!" she repeated threateningly, as the child did not answer directly, "Yes, yes, yes, yes!" "Tell him so from me!" she repeated yet once more, but slowly, and nodding at every word as she went. The child washed herself, changed her dress, and sat out on the steps in her Sunday clothes. But at the thought of the terror she had been in, she began to sob again.--"What are you crying for, child?" asked a voice more kindly than any she had heard before. She looked up; before her stood a fine looking man, with high forehead and spectacles. She stood up quickly, for it was Hans Odegaard, a young man whom the whole town revered. "What are you crying for, my child?" She looked at him and said that she had been going to take some apples from Pedro Ohlsen's garden, together with "several other boys;" but then Pedro and the policeman had come, and then--; she remembered that the mother had made her uncertain about the shooting, so she durst not tell it; but she gave a deep sigh instead.