Bildungsromans; Norway -- Fiction; Young women -- Fiction
When she came next morning, with eyes that told a tale of weeping, he
took her with him a walk above the town. He told her about David in
such a manner that he took now this, now that incident, and made the
well-known story anew. First, he depicted him in his youth, beautiful
and rich in talent, and in child-like faith; how, while yet a boy, he
came with the triumphal procession. From a shepherd he was called to be
king, he dwelt in caves, but ended in building Jerusalem. When Saul was
ill, he came beautifully attired, and played and sang before him, but
when as king he himself was ill, he played and sang clad in the garb of
repentance. When he had achieved his great works, he took rest in sin,
then came the prophet and punishment, and he became a child again.
David, who could call the people of God to songs of praise, lay
contrite at the feet of the Lord. Was he most beautiful, when crowned
with victory he danced before the ark to his own songs, or when in his
private closet he begged for mercy from the punishing hand?
The night after this conversation Petra had a dream, which all her life
she never forgot. She sat upon a white horse and came in triumphal
procession, but, at the same time, in front of the horse, she saw
herself dancing in rags.
One evening some time after this, as she was sitting at the edge of the
forest above the town learning her lessons, Pedro Ohlsen, who since
that day in the garden had approached gradually nearer, passed close
by, and, with a singular smile, whispered: "Good evening!" Though more
than a year had passed by, her mother's injunction not to speak to him
was so strongly before her that she did not answer. But day after day
he went by in the same way, and always with the same greeting; at last
she missed him, when he did not come. Soon he asked a little question
in passing, by-and-bye it increased to two, and at last it was quite a
conversation. After such one day, he let a silver dollar slip down into
her lap, and then hastened away in delight. Now, if it was against the
mother's commands to talk to Pedro Ohlsen, it was against Odegaard's to
take gifts from any one. The first prohibition she had little by little
overstepped, but it came to her mind now, when it had led to her also
overstepping the second. To get rid of the money she got hold of some
one to treat; but, in spite of their best endeavours, they could not
eat more than the worth of four marks; and afterwards it troubled her
that she had misspent the dollar instead of giving it back. The mark
that still lay in her pocket felt so hot that it might have burned a
hole in her clothes; she took it and threw it into the sea. But she was
not rid of the dollar thereby; her thoughts were burnt by it. She felt
that, if she confessed, it might pass over, but her mother's fearful
rage before, and Odegaard's good faith in her, were each, in its own
way, alike alarming. Whilst the mother said nothing, Odegaard quickly
Public-domain text, read in full here on John Shaqi.
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