Bildungsromans; Norway -- Fiction; Young women -- Fiction
send my boots upon the stage, or I were to send you, the impression
would be just the same--viz., a very remarkable one. So that must end
the matter!" But as a last endeavour, Petra ventured entreatingly:
"I believe though I understand it, if only I get----" "Yes, to be
sure,--every fishing village understands it a great deal better than
we; the Norwegian public is the most enlightened in the world."--"Come
now, if you won't disappear, I must!" She turned to the door, and burst
into tears. "I say," this violent outburst had thrown a new light on
the subject; "I say, I suppose it isn't you that made such a
disturbance in the theatre last night?"--She turned round, fiery red;
"Yes, to be sure, I know you now, Fisher Girl! I was in company with a
gentleman from your town after the play, he 'knew you well.' Ha! so
that is why you wanted to get on the stage; you would try your tricks
there,--I understand!--Listen: My theatre is a respectable
establishment, and I defy all attempts to transform it. Go! Will you
go, I say!"--and Petra went, sobbing fearfully, down the steps, and out
into the street. She ran crying past all the people, and a lady at
mid-day, running and crying in the street created, as may be imagined,
a great sensation. People stopped, the dogs ran after her, and more
followed. The whirr behind her reminded her of those awful nights in
the attic chamber, she remembered the faces in the air and ran faster.
But the remembrance grew more vivid with every step, the noise behind
her increased, and when she arrived at the house and shut the street
door, reached her room and locked herself in, she threw herself down in
a corner to defend herself from the faces; she struck them off with her
hands, and threatened them, then sinking down exhausted, she wept more
quietly,--and was saved.
* * *
Public-domain text, read in full here on John Shaqi.
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