I thought at the first glance that I was looking at a very good copy of
a picture. It was a knight on horseback, in plate-armour, and the armour
looked as if it had really seen service. The horse was a massive white
beast, rather of the cart-horse type, but not so "hairy in the hoof";
the background was a wood, chiefly of oak-trees; but the undergrowth
was wonderfully painted. I felt that if I looked into it I should see
every blade of grass and every bramble-leaf.
"Ready?" said Wag, and reached over and moved one of the knobs. The
knight shook his rein, and the horse began to move at a foot-pace.
"Well, but he can't _hear_ anything, Wag," said his father.
"I thought you wanted to be quiet," said Wag, "but we'll have it aloud
if you like."
He slid aside another knob, and I began to hear the tread of the horse
and the creaking of the saddle and the chink of the armour, as well as a
rising breeze which now came sighing through the wood. Like a cinema,
you will say, of course. Well, it was; but there was colour and sound,
and you could hold it in your hand, and it wasn't a photograph, but the
live thing which you could stop at pleasure, and look into every detail
of it.
Well, I went on reading, as you may say, this glass. In a theatre, you
know, if you saw a knight riding through a forest, the effect would be
managed by making the scenery slide backwards past him; and in a cinema
it could all be shortened up by increasing the pace or leaving out part
of the film. Here it was not like that; we seemed to be keeping pace and
going along with the knight. Presently he began to sing. He had a loud
voice and uttered his words crisply, so that I had no difficulty in
making out the song. It was about a lady who was very proud and haughty
to him and would have nothing to say to his suit, and it declared that
the only thing left for him was to lay himself down under a tree. But he
seemed quite cheerful about it, and indeed neither his complexion nor
the glance of his eye gave any sign that he was suffering the pangs of
hopeless love.
Suddenly his horse stopped short and snorted uneasily. The knight left
off singing in the middle of a verse, looked earnestly into the wood at
the back of the picture, and then out towards us, and then behind him.
He patted his horse's neck, and then, humming to himself, put on his
gauntlets, which were hanging at his saddle bow, managed somehow to
latch or bolt the fastenings of them, slipped down his visor, and took
the hilt of his sword in one hand and the sheath in the other and
loosened the blade in the sheath. He had hardly done this when the horse
shied violently and reared; and out of the thicket on the near side of
the road (I suppose) something shot up in front of him on the saddle. We
all drew in our breath.
"Don't be frightened, dear," said Mrs. Wag to the youngest girl, who had
given a sort of jump. "He's quite safe this time."
Public-domain text, read in full here on John Shaqi.
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