Mr. Cobb saw that he had spoken indiscreetly, but he was too unused to
argument to explain himself readily, so he drove away, trying to think
by what safer word than "lively" he might have described his
interesting little passenger.
"I'll take you up and show you your room, Rebecca," Miss Miranda said.
"Shut the mosquito nettin' door tight behind you, so's to keep the
flies out; it ain't fly time yet, but I want you to start right; take
your parcel along with you and then you won't have to come down for it;
always make your head save your heels. Rub your feet on that braided
rug; hang your hat and cape in the entry as you go past."
"It's my best hat," said Rebecca.
"Take it upstairs then and put it in the clothes-press; but I shouldn't
'a' thought you'd 'a' worn your best hat on the stage."
"It's my only hat," explained Rebecca. "My every-day hat was n't good
enough to bring. Sister Fanny's going to finish it."
"Lay your parasol in the entry closet."
"Do you mind if I keep it in my room, please? It always seems safer."
"There ain't any thieves hereabouts, and if there was, I guess they
wouldn't make for your sunshade; but come along. Remember to always go
up the back way; we don't use the front stairs on account o' the
carpet; take care o' the turn and don't ketch your foot; look to your
right and go in. When you've washed your face and hands and brushed
your hair you can come down, and by and by we'll unpack your trunk and
get you settled before supper. Ain't you got your dress on hind side
foremost?"
Rebecca drew her chin down and looked at the row of smoked pearl
buttons running up and down the middle of her flat little chest. "Hind
side foremost? Oh, I see! No, that's all right. If you have seven
children you can't keep buttonin' and unbuttonin' 'em all the
time--they have to do themselves. We're always buttoned up in front at
our house. Mira's only three, but she's buttoned up in front, too."
Miranda said nothing as she closed the door, but her looks were more
eloquent than words.
Rebecca stood perfectly still in the centre of the floor and looked
about her. There was a square of oilcloth in front of each article of
furniture and a drawn-in rug beside the single four poster, which was
covered with a fringed white dimity counterpane.
Everything was as neat as wax, but the ceilings were much higher than
Rebecca was accustomed to. It was a north room, and the window, which
was long and narrow, looked out on the back buildings and the barn.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account