India -- History -- 1000-1526 -- Fiction; Man-woman relationships -- Fiction; Reincarnation -- Fiction
Broken and weak with the strain and terror of the last half-hour,
horror-stricken at what was happening now, Ahalya stood like one
entranced, watching without sound or movement the combat going on
before her. She could not, in the darkness, distinguish between the
two forms rolling together on the ground. The men fought without a
sound:—Ragunáth with the strength of passion, Fidá with a final fury of
jealousy and despair. It lasted only three or four minutes. Then the
woman, who, in her terror, stood rocking her body back and forward,
holding both hands to the sides of her head as if that helped her to
suppress the wild screams on her lips, saw one figure suddenly rise
above the other, draw a weapon from his girdle and plunge it once,
twice, thrice, into the breast of the other who was struggling to lift
himself from the ground. Instantly, with a low, gurgling cry, the body
fell back. And Ahalya, peering like a mad-woman into the dusk at the
living man, whispered hoarsely:
“Fidá—Fidá—is it thou?”
And he, who was standing straight and still, his arms hanging at his
sides, answered quietly: “Yes, Ahalya. I am here. I have killed him.”
CHAPTER X
THE SONG OF NARMÁDA
For a long time they stood there, in the stillness of the night,
looking at each other in a kind of lethargy; while between them, on
the ground, lay the body of Ragunáth, gradually chilling, the blood
from its three wounds still running thinly down into the pool beside
it. Around and over all three of them myriad fireflies fluttered, like
stars of the under-world, setting a ghastly glow over the ghastly
scene. Fidá’s heart was beating very faintly now. He was obliged to
breathe in little gasps. But he was not thinking of this. His mind was
groping. He was still in a great darkness when Ahalya came over to him,
walking carefully to avoid the blood, and laid both hands on his arm.
“Let us go back to the palace,” she whispered.
Fidá shook his head. “I think I shall not go back to the palace. I
think I shall go on,” he answered.
“On! Whither?”
“Up. Up to be judged.”
“Fidá! Beloved! You will come with me.”
But the man was not to be moved by her tone, which was such a one as is
used to a sick child. Possibly Fidá was mad, or very near it; but it
was a quiet madness, and he was sure of his desires.
“Alas, Ahalya, what wrong I have done thee! All the wickedness that
man can accomplish I have accomplished. Wherefore I am going up before
Allah. But thou must not grieve for me, thou fairest of all women.
Thou knowest well that I was very near the end. Most beautiful—most
sweet—lotos-lidded, fear not lest I should not take upon my soul the
double crime. Thou shalt be freed from all sin in the eyes of Allah and
Mohammed. It is the last joy of love that I can perform for thee.”
He spoke in a quiet, solemn tone that frightened the woman
inexpressibly. As he paused, she threw herself before him, clasping his
knees.
Public-domain text, read in full here on John Shaqi.
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