The Flaming Sword in Serbia and ElsewhereStobart, M. A. (Mabel Annie)
History
The Flaming Sword in Serbia and Elsewhere
Stobart, M. A. (Mabel Annie)
World War, 1914-1918 -- Hospitals; World War, 1914-1918 -- Personal narratives
The units, which kept to themselves in a remarkable way, were a source
of much abstract interest to each other, and to me. It was particularly
satisfactory to notice the unstinting way in which the principle of
women's work in all departments, responsible as well as irresponsible,
of a war hospital, was--as represented on this ship--now acknowledged.
The woman administrator, the woman surgeon, the woman orderly, in
addition, of course, to the woman nurse, who had been the first to win
her position in war work.
I should like incidentally to suggest that uniform for women employed
in public work, should be as compulsory always, as it is for men.
Occasional hobble skirts, and low-cut blouses, reminiscent of the
indecorums of the Society puppet, struck a peculiarly jarring note
amongst a boat-load of people prepared for life-and-death realities, on
a mission of humanity.
Of all these doctors, nurses, orderlies, administrators, chauffeurs,
interpreters, how many would return? One should be taken and the other
left? Laughing, singing, acting, reading, playing cards, flirting,
quarrelling--how many were doing these things for the last time?
Towards what fate were each and all being borne? Were we, as adjuncts
of the Serbian Army, sailing to life or death, to victory or defeat?
How quickly all grew accustomed to, and ignored, the grandeur of
moon, stars, planets, the wonders of a firmament new to most, because
generally hidden by chimney-tops and smoke, and, conscious only of a
little shrunken circle, grew absorbed in trifles. The vastness, the
peace, the tumult, the joy of Nature, all unseen; the main interests,
hair washing, gossip, fancy dress, bridge parties, quality of cigars,
and food. Nobility of character curiously hidden, but ready to spring
forth when pressed by the button of emergency.
A little excitement at first, from rumours of submarines, then boat
drill, a sense of adventure, half enjoyable, half unpleasant, followed
by the comfortable assurance that danger is passed, and enjoyment now
legitimate, for those who are not kept low by sea-sickness. New friends
and sudden confidences, as suddenly regretted; the inevitable Mrs.
Jarley's waxworks, badly acted, but applauded; vulgar songs, mistaken
for humour; real talent shy in coming forward, false coin in evidence;
pride in attention from the captain; the small ambitions, to be top dog
at games, to win a reputation as bridge player, to become sunburnt: all
pursued with the same vigour with which work will later be attacked.
Danger from above, from below, from all around, but none so harmful as
the tongue of a jealous comrade.
The story of one voyage is the story of all voyages. It is the story of
mankind caricatured at close quarters, reflected on a distorting mirror.
Public-domain text, read in full here on John Shaqi.
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