The Flaming Sword in Serbia and ElsewhereStobart, M. A. (Mabel Annie)
History
The Flaming Sword in Serbia and Elsewhere
Stobart, M. A. (Mabel Annie)
World War, 1914-1918 -- Hospitals; World War, 1914-1918 -- Personal narratives
The camp was finely situated. We were surrounded on all sides by hills,
not ordinary dead hills, these were alive with picturesque villages,
half-hidden amongst orchards of plum and apple trees. On the far side
of the white, one-storied town of Kragujevatz, the hills to the east,
and south, seemed to be in poetic partnership with the clouds, and all
day long, with infinite variety, reflected rainbow colours and storm
effects--an endless source of joy.
At night, when the tents were lighted by small lanterns, and nothing
else was visible but the stars, the camp looked like a fairy city.
The cuckoo had evidently not been present during Babel building, for
all day long, and sometimes at night, he cuckooed in broad English--a
message from our English spring. But the climax of surprises came when
we found ourselves kept awake by the singing of the nightingales. Was
this the Serbia of which such grim accounts had reached us?
We were ready to open our hospital either for the wounded, or for
typhus patients, and we gave the authorities their choice. Colonel
Guentchitch promptly decided that he would rather not start a new
typhus centre; he wished us to take wounded. We began with fifty, and
these were in a few days increased to one hundred and thirty.
And at once I realised, that the impression which even now largely
prevails in Western Europe as to the bellicose character of the Serbian
nation, is wrong.
The average Serbian peasant-soldier is not the truculent, fierce,
fighting-loving savage so often represented. He does not love fighting,
but he loves, with all the enthusiasm of a poetic nature, his family,
his home, his hectares of land, and his country. He has fought much
in the past, but in defence of these possessions which he prizes. No
one can accuse the Serbian soldier of cowardice, yet his dislike of
fighting, and his love of home, were so marked, that it was easy to
distinguish, by his brisk walk, and cheerful countenance, or by his
slow gait, and depressed attitude, whether a drab-dressed soldier, with
knapsack, walking along the road, was going _Kod kutche_ (home) or--his
ten days' leave at an end--was going once more _y commando_ (to the
front).
Our wounded were the most charming patients imaginable, and it was
always a joy to go into the wards and have a talk with them. They
were alertly intelligent, with a delightful sense of humour, and a
total absence of vulgarity or coarseness. They were all so chivalrous,
courteous and delicate in their behaviour to the nurses, and to us
women generally, and so full of affection and gratitude for the help
given to them, that it was difficult to realise that these were not
officers, but peasants, with little knowledge of the world outside
their own national history.
With this every Serbian peasant is familiar, because it is handed down
from generation to generation, in ballads and heroic legends, by the
bards or guslars.
Public-domain text, read in full here on John Shaqi.
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