The Flight of Georgiana: A Story of Love and Peril in England in 1746Stephens, Robert Neilson
History
The Flight of Georgiana: A Story of Love and Peril in England in 1746
Stephens, Robert Neilson
Great Britain -- History -- George II, 1727-1760 -- Fiction
When we describe the gentleman as middle-aged, we mean as ages went in
the reign of George II., for it is a vulgar error to suppose that people
generally lived as long in the “good” old days as they do now. Not to
speak of the wars and the hangman, there were bad sanitation and medical
ignorance to shorten the careers of a vast number, and “drink and the
devil did for the rest.” This gentleman in the post-chaise, then, was
not over forty. Drink and the devil had made good headway upon him: one
could see that in his face, which was otherwise a face of good breeding,
wit, and accomplishment; a handsome face, lighted by keen, gray eyes,
but marred by the traces of riotous living and cynical thoughts, and by
a rooted discontent. He was tall and gracefully formed. His dress
betokened fallen fortunes. The worn velvet of his coat and breeches was
faded from a deep colour resembling that of the wine he had too much
indulged in. The embroidery of his satin waistcoat, the lace of his
three-cornered hat, the buckles of his shoes, the handle of his sword,
and the mounting of his pistols, were of silver, but badly tarnished.
His white silk stockings were mended in more places than one; his linen,
however, was immaculate. He wore his own hair, tied behind with a
ribbon.
The young lady beside him was very young, indeed; and very pretty,
indeed, having wide-open blue eyes, a delicately coloured face, a
charming little nose, an equally charming mouth, and a full, shapely
chin. Her look was at once sweet-tempered and high-spirited; for the
time being, it contained something of disapproval and rebellion. As for
this young lady’s clothes, the present historian’s admiration for
handsome dress on women is equalled by his dislike of describing it—or
hearing it described—in detail. Enough to say that her gown of dark
crimson, with its high waist, seemed to belong by nature to the small,
slender, and graceful figure it encased; and was free from the
excess—deplored by good judges then as now—so dear to overdressed
dowdiness. She had, too, the secret still lacked by some of her fair
countryfolk, of poising a hat gracefully, thus not to look top-heavy;
hers was a hat of darker shade than her gown, with a good sweep of brim.
As for the maid, on the seat in front, she, too, was rather a young
thing,—slim and tall, with a wholesome complexion, longish features, and
the artful-artless, variable-vacuous, consequential-conciliating
expression of her tribe. An honest, unlettered, shallow, not ill-meaning
creature; cast by circumstance for a super’s part in the drama of life,
never to be anything more than an accessory.
Public-domain text, read in full here on John Shaqi.
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