I may mention, however, my conviction, that I owe many special delights
to the gradual development of my race in certain special relations to the
natural ways of the world. That I was myself brought up in such
relations, appears not enough to account for the intensity of my pleasure
in things belonging to simplest life--in everything of the open air, in
animals of all kinds, in the economy of field and meadow and moor. I can
no more understand my delight in the sweet breath of a cow, than I can
explain the process by which, that day in the garden--but I must not
forestall, and will say rather--than I can account for the tears which,
now I am an old woman, fill my eyes just as they used when I was a child,
at sight of the year's first primrose. A harebell, much as I have always
loved harebells, never moved me that way! Some will say the cause,
whatever it be, lies in my nature, not in my ancestry; that, anyhow, it
must have come first to some one--and why not to me? I answer, Everything
lies in everyone of us, but has to be brought to the surface. It grows a
little in one, more in that one's child, more in that child's child, and
so on and on--with curious breaks as of a river which every now and then
takes to an underground course. One thing I am sure of--that, however any
good thing came, I did not make it; I can only be glad and thankful that
in me it came to the surface, to tell me how beautiful must he be who
thought of it, and made it in me. Then surely one is nearer, if not to
God himself, yet to the things God loves, in the country than amid ugly
houses--things that could not have been invented by God, though he made
the man that made them. It is not the fashionable only that love the
town and not the country; the men and women who live in dirt and
squalor--their counterparts in this and worse things far more than they
think--are afraid of loneliness, and hate God's lovely dark.
CHAPTER II.
MISS MARTHA MOON.
Let me look back and see what first things I first remember!
Public-domain text, read in full here on John Shaqi.
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