Courtship -- Fiction; Forgery -- Fiction; Swindlers and swindling -- Fiction; Young women -- Fiction
Her expression of surprise was instantaneously merged in a flash
of honest pleasure and admiration, such as only an artist may feel
in the presence of a little masterpiece by a fellow-craftsman.
Happily, anticlimax was spared them by the arrival of the person
for whom the visitor had asked at the door, and the young man
retained the rose in his hand.
Mr. Madison, a shapeless hillock with a large, harassed, red face,
evidently suffered from the heat: his gray hair was rumpled back
from a damp forehead; the sleeves of his black alpaca coat were
pulled up to the elbow above his uncuffed white shirtsleeves; and
he carried in one mottled hand the ruins of a palm-leaf fan, in
the other a balled wet handkerchief which released an aroma of
camphor upon the banana-burdened air. He bore evidences of
inadequate adjustment after a disturbed siesta, but, exercising a
mechanical cordiality, preceded himself into the room by a genial
half-cough and a hearty, "Well-well-well," as if wishing to
indicate a spirit of polite, even excited, hospitality.
"I expected you might be turning up, after your letter," he said,
shaking hands. "Well, well, well! I remember you as a boy.
Wouldn't have known you, of course; but I expect you'll find the
town about as much changed as you are."
With a father's blindness to all that is really vital, he
concluded his greeting inconsequently: "Oh, this is my little girl
Cora."
"Run along, little girl," said the fat father.
His little girl's radiant glance at the alert visitor imparted her
thorough comprehension of all the old man's absurdities, which had
reached their climax in her dismissal. Her parting look, falling
from Corliss's face to the waste-basket at his feet, just touched
the rose in his hand as she passed through the door.
CHAPTER TWO
Cora paused in the hall at a point about twenty feet from the
door, a girlish stratagem frequently of surprising advantage to
the practitioner; but the two men had begun to speak of the
weather. Suffering a momentary disappointment, she went on,
stepping silently, and passed through a door at the end of the
hall into a large and barren looking dining-room, stiffly and
skimpily furnished, but well-lighted, owing to the fact that one
end of it had been transformed into a narrow "conservatory," a
glass alcove now tenanted by two dried palms and a number of
vacant jars and earthen crocks.
Public-domain text, read in full here on John Shaqi.
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