The Flockmaster of Poison CreekOgden, George W. (George Washington)
General
The Flockmaster of Poison Creek
Ogden, George W. (George Washington)
Western stories
Sheep had visited the creek lately at the point where Mackenzie first
encountered it, but there were no dusty flocks in sight billowing over
the hills. Tim Sullivan's house was not to be seen any more than
sheep, from the highest hill in the vicinity. It must be several miles
ahead of him still, Mackenzie concluded, remembering that Poison Creek
was long. Yet he hoped he might reach it by nightfall, for his feet
were growing weary of the untrodden way they had borne him for a
hundred and fifty miles, more or less.
He pushed on, now and again crossing the broad trail left by bands of
sheep counting two or three thousand, feeling the lonesomeness of the
unpeopled land softened by these domestic signs. Sunset, and no sight
of a house; nightfall, and not the gleam of a light to show him either
herder's camp or permanent domicile of man.
Mackenzie lingered beside the clamoring water in a little valley where
the uncropped grass was lush about his feet, considering making camp
there for the night. It was a pleasant place for a land so bleak, even
in summer, as that country of high table-lands and rolling gray hills.
As he started to unsling his pack he caught the dim note of somebody's
voice raised in song, and stood so, hand on the strap, listening.
The voice was faint, broken by the distance, yet cheering because it
was a voice. Mackenzie pressed up the hill, hoping to be able to
thread the voice back to its source from that eminence. As he neared
the top the voice came clearer; as he paused to listen, it seemed
quite close at hand. It was a woman singing, and this was the manner
of her song:
_Na-a-fer a-lo-o-one, na-a-fer a-lone,
He promise na-fer to leafe me,
Na-fer to leafe me a-lone!_
The valley whence came the song was quite dark below him, and darker
for the indefinite blotch of something that appeared to be trees. In
that grove the house that sheltered the melancholy singer must be
hidden, so completely shrouded that not even a gleam of light escaped
to lead him to the door. Mackenzie stood listening. There was no other
sound rising from that sequestered homestead than the woman's song,
and this was as doleful as any sound that ever issued from human
lips.
Over and over again the woman sang the three lines, a silence after
the last long, tremulous note which reached to the traveler's heart,
more eloquent in its expression of poignant loneliness than the
hopeless repetition of the song. He grinned dustily as he found
himself wishing, in all seriousness, that somebody would take a day
off and teach her the rest of the hymn.
Public-domain text, read in full here on John Shaqi.
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