The floral symbolism of the great mastersHaig, Elizabeth
Religion
The floral symbolism of the great masters
Haig, Elizabeth
Flowers -- Symbolic aspects
Therefore, in the decoration of churches dedicated to the Madonna,
the rose frequently occurs. It does not supersede the lily, which
was the flower especially consecrated to her, but it is found beside
it. The Church of S. Maria Maggiore in Rome is ornamented along the
aisles, above the side chapels, with a series of panels, gold on white,
which show the floral emblems of the Virgin. The rose, the lily, the
olive, the laurel and the vine alternate down the whole length of the
church. The beautiful little chapel behind the shrine of the Santissima
Annunziata, in the Church of the Annunziata in Florence, was decorated
in the seventeenth century with inlaid and raised _pietra-dura_ work.
Each of the five onyx panels which form the walls has upon it an emblem
of the Virgin--the sun, the moon, the _Stella maris_, the lily, and,
most lovely of them all, the branch of roses below the words ‘Rosa
Mystica.’ This rose is red, and, strangely enough, the red rose, rather
than the white, was chosen to represent the Virgin. Wrote Guido Orlandi
in 1292:
‘If thou hadst said, my friend, of Mary,
Loving and full of grace;
Thou art a red rose planted in the garden;
Thou wouldst have written fittingly.’
In the _Sarum Book of Hours_, by Philippe Pigouchet,[69] published in
1501, the huge rose held by the Virgin definitely illustrates her title
of ‘Rosa Mystica,’ but those pictures of the early Florentine school,
in which she holds a small red or white rose, show her as the ‘_Madonna
del Fiore_,’ for as ‘Our Lady of the Flower’ she had been installed
patroness of the city of Florence. It would have seemed natural, since
the lily was upon the shield of Florence, to have placed a lily, her
own flower, in the Madonna’s hand. But the city of Florence had passed
through troubled times just before the revival of her art, and the
silver lily on her shield had been replaced by one of crimson.
‘Had through dissension been with vermeil dyed.’[70]
Rather than paint her with the crimson lily, Florentine artists gave
her the rose, and she holds a white leafless rose in the dainty little
picture by Fra Angelico which is now in the Vatican.[71]
Public-domain text, read in full here on John Shaqi.
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