The floral symbolism of the great mastersHaig, Elizabeth
Religion
The floral symbolism of the great masters
Haig, Elizabeth
Flowers -- Symbolic aspects
‘Strew thrice nine olive boughs
On either hand; and offer up thy prayer,’[112]
counselled the Greeks when conscious that the deities were offended.
The olive was the gift of Pallas. The tale ran that in the reign of
Cecrops both Poseidon and Athena contended for the possession of
Athens. The gods resolved that whichever of them produced the gift
most useful to mortals should have possession of the land. Poseidon
struck the ground with his trident and straightway a horse appeared.
But Athena planted the olive and the gods thereupon decreed that the
olive was more useful to man than the horse, and gave the city to the
goddess, from whom it was called Athenæ.[113]
But the symbolism of the olive, founded upon its healing qualities and
its oil’s well-known property of calming roughened water, was not only
Grecian: it was wide-spread, and the Romans used it politically as well
as religiously. Their heralds carried olive on an embassy of peace, and
the custom lingered in Italy through the Middle Ages; Dante describing
how the multitude ‘Flock round the herald sent with olive branch.’
In Christian art the olive also invariably represents peace or
reconciliation, and it is first found in the Catacombs, where there
is a curious painting of the mystic fish which swims towards the
Cross with a sprig of olive in its mouth. The fish, by the well-known
anagram, represents Christ, who, through the Cross, brings peace on
earth.
A dove with an olive twig in its beak is also found upon early
Christian tombs. And then, as Tertullian says, ‘it is a symbol of peace
even older than Christianity itself’[114]--the herald of the peace of
God from the very beginning. Sometimes the word itself, ‘Pax,’[115] is
added, thereby marking the sense beyond all possibility of dispute;
viz., that it is meant to assert of the soul of the deceased that it
has departed in the peace of God and of his Church.[116]
Tertullian refers, of course, to the dove sent forth by Noah which
returned across the waters, and ‘Lo! in her mouth was an olive leaf
plucked off,’ sign that the wrath of God was appeased. The dove,
bearing the twig of olive, executed in coloured marbles, occurs
repeatedly in the decoration of Saint Peter’s. Here the dove represents
the Church bearing the Gospel message of peace to the world. The same
emblem is found in the decoration of St John Lateran, and Pope Innocent
X. incorporated it with his coat of arms.
Public-domain text, read in full here on John Shaqi.
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