The floral symbolism of the great masters — John Shaqi
The floral symbolism of the great mastersHaig, Elizabeth
Religion
The floral symbolism of the great masters
Haig, Elizabeth
Flowers -- Symbolic aspects
In the first place, and this was the most important method, they
searched the Scriptures for their warrant as to the good or evil
tendencies of any plant or flower. Those with whom the Divinity had
identified Himself took precedence of all others. Christ had said,
‘I am the True Vine,’ and the vine, since the earliest days of
Christianity, has had the place of highest honour in the decoration
of Christian churches as the emblem of Christ Himself. When the
difficulties were removed which prevented the Early Church from
representing Christ under His own form, the emblem was less seen, but
it has always remained a sacred plant, and designs based upon its form
still frequently decorate the altar and the sacred vessels.
Also those plants introduced as metaphors in the Song of Solomon,
‘the flower of the field,’ ‘the lily of the valleys,’ ‘the lily among
thorns,’ ‘the orchard of pomegranates,’ myrrh and camphire, spikenard,
saffron and cinnamon, trees of frankincense and ‘the chief spices,’
which refer to the ‘Beloved’ and the ‘Spouse,’ are all considered holy
plants, and by the Roman Catholic Church are assigned to the Virgin
Mary.
In the beautiful twenty-fourth chapter of Ecclesiasticus, too,
Christian symbolists have recognized the Virgin Mary beneath the figure
of Wisdom, and hold as sanctified those growing things to which she is
likened.
‘I was exalted like a palm tree in Engeddi, and as a rose plant in
Jericho, as a fair olive tree in a pleasant field, and grew up as a
plane tree by the water.
‘As the turpentine tree I stretched out my branches, and my branches
are the branches of honour and grace.
‘As the vine brought I forth pleasant savour, and my flowers are the
fruit of honour and riches.’
In the second place, those flowers and plants which are beneficial to
man, as the wheat and the olive, were decided to be good, and those
that were hurtful to man, as the tare and the thistle, were evil. Here
herbalism and magic step very close to symbolism, for healing plants,
or those which were useful as a charm against the devil, were good;
those which were poisonous, or used for evil purpose, such as raising a
spirit, were bad. Thus the nettle, which, when used with due ceremony,
dissipates fear, becomes a symbol of courage, and myrrh, which is
an antidote to love-philtres and drives away voluptuous thoughts,
is held to be a plant of chastity. Of this particular species of
symbolism Albertus Magnus,[5] Master of Saint Thomas Aquinas, and Saint
Hildegarde,[6] Abbess of Rupertsburg, were the principal exponents.
Also a plant’s habit of growth was taken as an indication of its
character. The cedar, with unbending head and grandly-spreading
branches, was considered, both by Saint Melitus and Petrus of Capua,
to typify pride, while the violet, wearing the colour of mourning, and
keeping timidly beneath its leaves, they chose as a symbol of humility.
Public-domain text, read in full here on John Shaqi.
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