The floral symbolism of the great mastersHaig, Elizabeth
Religion
The floral symbolism of the great masters
Haig, Elizabeth
Flowers -- Symbolic aspects
The apple, when in the hand of Adam, is always the symbol of the Fall;
when in the hand of Christ, it is the symbol of the sin of the world
which He took upon Himself. ‘For as in Adam all die, even so in Christ
shall all be made alive.’
But in the early instances of a fruit in the Christ-Child’s hand it
does not appear to be definitely the death-giving apple of Eden. It is
fruit of Paradise, a delight promised to the blessed which the King of
Heaven brings down with Him to earth.
In the early school of Siena, as we have already seen, the little
Christ was still the Royal Infant, still ‘trailing clouds of glory,’
untouched by shadow of suffering, and usually bearing in His hand some
indication of His high estate. Often His hand was raised in blessing,
sometimes He held a lily of Paradise.
On an early fourteenth-century panel in the manner of the Lorenzetti,
in Siena Academy, the Child holds a fruit, but it is not clearly
defined. In one of Sano di Pietro’s most attractive works,[308]
however, which is dated 1444, the Child, seated on the Virgin’s
knee, holds a golden orange with its foliage. To His right and left
are saints, and close around there are six angels crowned with blue
corn-flowers and carrying roses and lilies. No attempt is made to
realize earthly conditions; the glowing scene is set in Heaven, and
the little Lord of Heaven holds in His hand a celestial fruit, just
one of such fruits as hang upon the trees in Giovanni di Paolo’s
‘Paradise.’[309]
In another picture by Sano di Pietro,[310] the Child (perhaps the most
charming ‘_Bambino_’ ever painted in Siena) holds in His hand a bunch
of cherries.
Cherries, painted more than once within the tiny hand by Sano di
Pietro, are always taken as the delicious fruit. Like the lilies of
the earlier Paradises they typify the delights of the blessed, and in
German art particularly they are painted often as the peculiar fruit
of Heaven. They are never taken as the Fruit of the Tree of Knowledge
of Good and Evil, and therefore, at least in the early Sienese school,
this fruit held by the Infant Christ would seem to be the fruit of
Paradise.
Public-domain text, read in full here on John Shaqi.
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