The Florentine Dagger: A Novel for Amateur DetectivesHecht, Ben
General
The Florentine Dagger: A Novel for Amateur Detectives
Hecht, Ben
Detective and mystery stories; Insanity (Law) -- Fiction; Murder -- Fiction; New York (N.Y.) -- Fiction
The detective walked out of the room. De Medici rose to follow. As he
did an object fell out of the heavy upholstered chair in which he had
been sitting. He stooped and picked it up. A woman’s purse. Norton had
turned at the door and De Medici slipped it quickly into his pocket.
“An old purse,” he murmured to himself, “and there were some faded
silver initials in the corner.”
The guests were waiting for him. They crowded around him, babbling
questions, exclamations, condolences.
“They’ve taken all our names,” one woman sobbed suddenly. “Oh, poor,
dear Victor....”
De Medici, his eyes narrowed, his lean face void of expression, moved
from group to group assuring them that all was being done that could be
done. He tried vainly to obtain a moment’s private talk with Florence.
He had learned that she had retired to her bedroom and was locked in
with a nurse summoned by Norton.
“She’s in a rather bad condition,” the detective explained as he saw De
Medici prowling in the hallway. “I think you’d better leave her alone
for the time being.”
“He’s watching me,” De Medici thought. “Every move I make. He’s been
standing behind me as I talked. He was in the doorway of the bathroom as
I washed my hands.” He paused in his thought and shivered as a word
whimpered somewhere in the recesses of his brain ... “guilty ...
guilty....”
“I think I’ll leave,” Lieutenant Norton remarked suddenly at his side.
“My men will remain here. And I’ll be back early in the morning.”
De Medici watched the detective move through the crowded room to the
door. He smiled tiredly after the man. A few of Ballau’s cronies were
remaining. The others were departing in couples and groups. De Medici
led the way into a small room Ballau had used as an office. Meyerson the
antique dealer, Carvello the painter, and Foreman the retired
Shakespearean actor followed him. They lighted cigars and began in
measured tones to discuss the qualities of the man who lay dead in the
adjoining room. They had learned of Lieutenant Norton’s theory and
derided the detective’s conclusions.
Carvello, a lean, nervous-mannered young man, shrugged his shoulders as
De Medici finished relating Norton’s conclusions.
“Suicide,” he repeated. “Hm. If Ballau put that beard on to disguise
himself as a stranger and deceive Jane, why should he leave it on until
he had stabbed himself?”
“Because,” De Medici sighed, “in his confused and hysterical condition
he forgot he was wearing the thing and remembered only after the dagger
had entered. That’s Norton’s theory. His last act was to try to make the
camouflage stand up by tearing the thing from his face.”
“Absurd,” snorted Carvello. “The doctor said, I heard him myself, that
death was almost instantaneous. How could he, after striking such a
blow, have lived long enough to tear the thing from his face?”
“Or to have placed a crucifix on his chest?” Meyerson took up the
argument. “Or to have blown out the candle?”
Public-domain text, read in full here on John Shaqi.
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