The Florentine Dagger: A Novel for Amateur Detectives — John Shaqi
The Florentine Dagger: A Novel for Amateur DetectivesHecht, Ben
General
The Florentine Dagger: A Novel for Amateur Detectives
Hecht, Ben
Detective and mystery stories; Insanity (Law) -- Fiction; Murder -- Fiction; New York (N.Y.) -- Fiction
For a strange moment his heart seemed to fling itself blissfully toward
the image of a woman smiling grimly, dagger in hand, in the opened
doorway of his room. His eyes stared at blankness while an inner vision
beheld her—Florence in a trailing robe ... Florence with her black hair
smoothed and bound with a gold band, with a dagger lifted and a dark
smile wavering over the cruel face....
He sprang to his feet, a cry in his throat. The doorway was empty. He
stood shuddering before it, afraid to look beyond into the darkened
hall, cowering before the shadow of a chair that stretched against the
wall. Something had passed—a shadow had passed. With hands grown moist,
he walked stiffly forward and closed out the empty space. He was alone
in the room.
He stood still listening, as if there were noises to overhear. His eyes
shifted about the vacancy of the room. They turned furtively from the
unoccupied chairs to the empty bed.
“Fear,” he murmured. “It traps me ... a disease....”
In the fully lighted room De Medici flung himself with a sob on the bed.
CHAPTER V
QUESTIONS AND ANSWERS
In which the world wags its callous tongue—In which dénouements thumb
their noses at each other—In which Julien De Medici succumbs to a
delicious madness—A Jesuitical policeman and an ambitious coroner
flirt coyly with an Enigma.
There was an inquest. Newspaper headlines bombarded the mystery. The
grateful press panted ecstatically on the trail of clews, conjectures,
romances, and revelations. A crowd filled the street in front of the
fashionable Park Avenue apartment building. They stood watching
officials and the spotlighted figures of mystery enter.
The Ballau apartment itself was thronged with witnesses and friends of
the dead man. Coroner Holbein had taken charge of the investigation and
official gathering of evidence.
The famous Ballau library had been converted into a courtroom. The
melodrama of the “Crucifix Mystery”—an identity provided by some of the
papers—had a setting worthy of itself. Six men summoned at random to
serve as a coroner’s jury sat nervously in the Renaissance chairs that
had been lined up in front of the fireplace. Coroner Holbein had taken
his position behind a work-table introduced from another portion of the
house. At his right side sat Lieutenant Norton and Dr. Greer.
In front of the coroner stretched an assortment of chairs occupied by
friends of the dead man. The newspaper men, expectant of revelations,
bristled nervously about the officials.
Coroner Holbein opened the inquest with a brief address to the jury. He
was an oracular man. It was his habit, when speaking in the presence of
the press, to indulge in rotund medico-legal sentences. The six blinking
jurymen listened with an air of ponderous sagacity. Neither they nor the
coroner seemed definitely aware of what was being said.
Public-domain text, read in full here on John Shaqi.
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