The Florentine Dagger: A Novel for Amateur DetectivesHecht, Ben
General
The Florentine Dagger: A Novel for Amateur Detectives
Hecht, Ben
Detective and mystery stories; Insanity (Law) -- Fiction; Murder -- Fiction; New York (N.Y.) -- Fiction
“But,” continued De Medici, inwardly amused by his seeming knowledge of
the subject, “if the criminal was frightened, if his sense of relief was
secondary to his feeling of remorse, would he come back then? Not if he
were half normal. An abnormal, psychopathic person would be lured by the
thing toward which he felt fear. The hypnosis of terror. Hm, an unlikely
theory. The bird and the snake idea and as fallacious as that. Snakes do
not hypnotize birds, nor do corpses hypnotize murderers. A man seeking
to overcome his fear would return just as an old maid looks under the
bed to show herself that there is nothing there to be worried about....
“So where are we? No place. He or she may be here at the auction. And,
again, he or she may not. That’s the trouble with psychology. At its
best, psychology is an elastic process one uses in vindicating one’s
preconceived ideas.... I came here with a feeling that something would
most likely occur. And here I am trying to bolster up this intuition
with involved and spurious logic.”
He looked up, aware of a silence. Meyerson had taken his place behind
the long table and was rapping for order.
“Ladies and gentlemen,” the man began, “we are about to dispose of the
collections which were lately the property of Victor Ballau. These
things comprise art treasures, literary treasures, ornaments, hangings,
all of exceptional value and unquestionable taste. I wish to announce
that I have taken charge of this auction, that my house has put a value
upon each of the objects which will be offered to you. It is understood
that if the bidding falls under this value the firm of Meyerson &
Company will purchase it at the price already fixed. We will now begin.
Mr. Jones will take charge of the selling.”
Meyerson nodded toward a narrow-faced young man standing near him. The
young man, Mr. Jones, stepped forward and, clearing his throat
portentously, launched into the rigmarole of the auctioneer.
“Ladies and gentlemen,” his voice rang out, an excitement in its tone,
“the first object for your consideration this afternoon is a set of
Chinese chess men carved two thousand years ago by the skillful fingers
of an Oriental craftsman in Hwang Ho.”
Mr. Jones turned toward a second young man, who lifted a large ebony box
into view and removed its cover. Selecting one of the chess pieces from
it, the orator continued:
“Each and every one of these is an exquisitely carved little statue
worthy the hand of a master. The craftsmanship and genius that went into
the construction of these charming intellectual toys are part of a lost
art. There are only three sets of this description in the world. What am
I bid, ladies and gentlemen?”
The bidding began at once.
“Fifty dollars,” said a voice.
“Seventy-five.”
“Eighty-five.”
“One hundred dollars.”
Public-domain text, read in full here on John Shaqi.
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