The Florentine Dagger: A Novel for Amateur DetectivesHecht, Ben
General
The Florentine Dagger: A Novel for Amateur Detectives
Hecht, Ben
Detective and mystery stories; Insanity (Law) -- Fiction; Murder -- Fiction; New York (N.Y.) -- Fiction
Mr. Jones resumed his excited recommendation. De Medici, half listening,
heard the phrases, “marvelous taste,” “carved under a microscope,”
“purest ivory....” He smiled as, after fifteen minutes of jockeying, the
set went to Meyerson, who had valued it at $1,500. A pair of Ming vases
came next. Two Shakespeare folios followed. An antique rosewood chair
was offered.
De Medici listened and watched with increasing interest. The sale of
Ballau’s treasures had stirred no covetousness in him. Yet the scene
acquired an exciting significance in his thought. As each of the objects
passed under the hammer De Medici found himself coming closer to the
memory of his dead friend.
“Yes,” he said to himself, “it would seem that these things that are
being sold were Victor Ballau. At least the Ballau I knew. Curious, how
friendship may be like that—an admiration for the things surrounding a
man and for the varied images of him which these things reflect. I’m
glad Meyerson has been decent about it. Otherwise the thing would have
degenerated into a grab bag bargain rush ... everybody snatching at the
remains of poor Ballau.”
The place was growing stuffy. De Medici experienced a reaction. The
adventure of the night, and the subsequent enigmas which he had pursued,
began to take toll. He would wait a few more minutes and leave. The
auction, despite his intuitions, was turning out a cut and dried
business.
He turned to look at the crowd from a new angle, and his eyes lighted on
a remarkable figure. An old woman with the face of a witch, her head
covered by a black bonnet, her chin resting on the knob of a heavy cane
that she clasped in her hands, sat within a few feet of him. Her face
was a blur of wrinkles, the nose and chin coming almost together over a
toothless mouth. Her little black eyes, however, appeared to be blazing
with excitement.
“Hm,” De Medici murmured to himself, “a creature of sinister ugliness.”
He paused to study her. She was following each of the objects offered
the crowd with a fanatical intensity.
“Cupidity,” he thought, losing track of the auctioneer’s chatter.
“She’ll buy nothing. But the joy of possessing animates her. It’s a way
people have of clinging to life—by developing hobbies, by achieving
grotesque and concentrated enthusiasms for certain objects. Existence is
less complicated for a stamp collector than a social philosopher.”
His vague musings were suddenly broken. The witch-like creature had
risen from her chair and was brandishing her heavy cane in the air. She
stood cackling in a strident voice.
“Forty dollars, Mr. Auctioneer, forty dollars....”
De Medici watched her push her way forward violently, her large body
dislodging an amused and indignant line of men and women.
“Forty dollars,” she cried furiously as she moved to the auctioneer’s
table, her cane still describing eccentric circles in the air.
Public-domain text, read in full here on John Shaqi.
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