The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)Saintsbury, George
History
The Flourishing of Romance and the Rise of Allegory: (Periods of European Literature, vol. II)
Saintsbury, George
Allegory; Literature, Medieval -- History and criticism; Romances -- History and criticism
And it continues in the same key. The commentators declare that the
story refers to an actual historical battle of Villedaigne. This may
be a fact: the literary excellence of _Aliscans_ is one. The scale of
the battle is represented as being enormous: and the poet is not
unworthy of his subject. Neither is William _impar sibi_: but his day
of unbroken victory is over. No one can resist him personally; but
the vast numbers of the Saracens make personal valour useless. Vivien,
already hopelessly wounded, fights on, and receives a final blow from
a giant. He is able, however, to drag himself to a tree where a
fountain flows, and there makes his confession, and prays for his
uncle's safety. As for William himself, his army is entirely cut to
pieces, and it is only a question whether he can possibly escape. He
comes to Vivien's side just as his nephew is dying, bewails him in a
very noble passage, receives his last breath, and is able before it
passes to administer the holy wafer which he carries with him. It is
Vivien's first communion as well as his last.
After this really great scene, one of the finest in all the
_chansons_, William puts the corpse of Vivien on the wounded but still
generous Baucent, and endeavours to make his way through the ring of
enemies who have held aloof but are determined not to let him go.
Night saves him: and though he has to abandon the body, he cuts his
way through a weak part of the line, gains another horse (for Baucent
can carry him no longer), and just reaches Orange. But he has taken
the arms as well as the horse of a pagan to get through his foes: and
in this guise he is refused entrance to his own city. Guibourc herself
rejects him, and only recognises her husband from the prowess which he
shows against the pursuers, who soon catch him up. The gates are
opened and he is saved, but Orange is surrounded by the heathen. There
is no room to tell the full heroism of Guibourc, and, besides,
_Aliscans_ is one of the best known of the _chansons_, and has been
twice printed.
[Sidenote: _The end of the story._]
From this point the general interest of the saga, which has culminated
in the battle of Aliscans, though it can hardly be said to disappear,
declines somewhat, and is diverted to other persons than William
himself. It is decided that Guibourc shall hold Orange, while he goes
to the Court of Louis to seek aid. This personal suit is necessary
lest the fulness of the overthrow be not believed; and the pair part
after a scene less rugged than the usual course of the _chansons_, in
which Guibourc expresses her fear of the "damsels bright of blee," the
ladies of high lineage that her husband will meet at Laon; and William
swears in return to drink no wine, eat no flesh, kiss no mouth, sleep
on his saddle-cloth, and never change his garments till he meets her
again.
[Sidenote: _Renouart._]
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