The Fly Leaf, No. 2, Vol. 1, January 1896: A Pamphlet Periodical of the New—the New Man, New Woman, New Ideas, Whimsies and ThingsVarious
General
The Fly Leaf, No. 2, Vol. 1, January 1896: A Pamphlet Periodical of the New—the New Man, New Woman, New Ideas, Whimsies and Things
Various
American literature -- Periodicals; American periodicals
A great many readers of the powerful poem called “The Wail of the Hack
Writer” in this issue, picturing a mood of revulsion and despair common
enough among all writers who have to earn a livelihood by the pen, will
be surprised in coming upon the name of the author, Sam Walter Foss.
This is an interesting phase of personality. This poem reveals a new
and serious personality in a writer already known to a wider circle of
readers than few of us can ever hope to reach. For years the name of
Sam Walter Foss has been synonymous with the most bubbling humor and
spontaneous, genial fun. One could guess this man took life smiling
from the laugh in all his work, and his optimistic, large belief in his
fellows. And the superficial reader, caught with these merry jingles
and this good-natured philosophy, might naturally think that Mr. Foss
was a man who took all life as a joke, who hated serious books, and
never saw the sad side of life. The optimism of the man is in his work,
but it is not a narrow optimism, and all this light fun is born of a
deep and serious interest in the human drama being played out today.
The man himself is a serious man in all his ideas and interests in
life, and there is a serious undercurrent of purpose in all his fun
making.
Yvette Guilbert, the famous Paris chanteuse, who is now singing at the
Olympia in New York, is said to give in her repertoire some humorous
songs with more point in them than our English speaking audiences are
accustomed to. As two thirds of her English speaking audiences will
not be able to thoroughly understand her, even those who can read and
speak French being unable to follow it closely when sung, it must be
interesting to watch the faces of her audiences. While Mlle. Guilbert
is singing her sweet ditties of love-lorn maiden’s hopes and trials, it
is ten to one the greater part of her audience will be imagining all
sorts of wicked, depraved things are being publicly sown in the hearts
of our innocent people. London has pronounced her songs shocking. We
can scarcely expect Mlle. Guilbert will be much better understood on
this side, for the Anglo-Saxon has rarely the temperament to catch
the play of Gallic humor. So half the audience will sit and dream in
abandonment of the wicked things wicked people are reported to do; and
those who are so fortunate as to have wicked thoughts of their own will
think them, and Mlle. Guilbert will have to bear all their blushes.
Public-domain text, read in full here on John Shaqi.
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