The Fly Leaf, No. 2, Vol. 1, January 1896: A Pamphlet Periodical of the New—the New Man, New Woman, New Ideas, Whimsies and ThingsVarious
General
The Fly Leaf, No. 2, Vol. 1, January 1896: A Pamphlet Periodical of the New—the New Man, New Woman, New Ideas, Whimsies and Things
Various
American literature -- Periodicals; American periodicals
A young lady writes to me from a western city and encloses her
photograph, which shows her to be a blooming, chubby-cheeked beauty
of eighteen summers. She says, in her letter, she is studying very
hard and sitting up night after night until daybreak, reading all the
great authors of our era: E. P. Roe, Edward W. Bok, Richard Harding
Davis and Dr. J. G. Holland, with the intention of adopting literature
as a career. These are all truly “great masters,” and their selection
shows an unerring judgment in one contemplating a career in _American_
contemporary literature. I made the mistake of choosing certain obscure
Elizabethans and seventeenth century Englishmen as my masters; and
so have never got out of Grub Street. A woman can scarcely offend
against the canons of morality if she models her ideals of fictitious
propriety after the examples of these litterateurs who have made
simpering the grace and distinction of our epoch. It was unkind of fate
to deny these great minds the innocency of petticoats, but they have
remained wonderfully unspotted from the world. They have reduced all
morality to etiquette. But I am afraid my young lady will spoil her
beauty with all this strain to rid her mind of original predilections
after the manner of these “masters,” and she may develop that shocking
severity of countenance, which is so appallingly rife among our female
moralists in any illustrated book catalogue. All women are beautiful,
of course; but those who try to look like seers in their photographs
usually look as if life were a perpetual washing day with them. It
seems that scribbling often fatally undermines geniality in the female
temperament, and indeed most women write novels because they lack a
sense of humor. This severe superciliousness of our female celebrities,
I hold, is a warning to the New Woman to cultivate flippant male
society as much as possible. I warn my correspondent not to grow a face
that appals young love and stops clocks.
The _Arena_ should not hide its light under a bushel. It should put out
a sign, “Worlds reformed while you wait!”
The actress who finds herself too fat to be cast for the heroine
(heroines are always slender) and has to thin down upon a diet of
nothing but beef tea and hot water with a squeeze of lemon in it for
three months, buys fame almost as dearly as do the poets. Ambition
seems to have a trick of cheating the stomach; but asceticism and
mortification of the flesh on the stage have strangely enough made
their belated appearance with the advent of The Woman who Did.
The great trouble with human nature is that it is everywhere. If it
were only confined like a mad dog and rampaged solely in one country or
continent, we could take ideal views of life. And we could be patriots
without being scoundrels.
To the sentimental: Please do not forget that it was Dr. Johnson and
not the writer who said “Patriotism is the last refuge of a scoundrel.”
THE LONDON ACADEMY
Public-domain text, read in full here on John Shaqi.
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