The Flying Saucers are RealKeyhoe, Donald E. (Donald Edward)
History
The Flying Saucers are Real
Keyhoe, Donald E. (Donald Edward)
Unidentified flying objects
Steve was quickly on the defensive. “I haven’t bought it yet, but it’s
not as crazy as it sounds.”
Without mentioning names, I told him about the aircraft designer and
the airline pilots.
“They’re in good company,” said Steve. “You know the Air Institute?”
“Sure—the Air Force school down at Montgomery.”
“Six months ago, I was talking with an officer who’d been instructing
there.” Steve looked at me, deadly serious. “He told me they are now
teaching that the saucers are probably space ships.”
CHAPTER IX
Three days after my meeting with Steve Barrett, I was on a Mainliner
300, starting, a new phase of the saucer investigation. By the time I
returned, I hoped to know the truth about Project “Saucer.”
As the ship droned westward, fourteen thousand feet above the
Alleghenies, I thought of what Steve had told me. I believed, that he
had told me about the radar tracking. And I was fairly sure he believed
the Air Institute story. But I wasn’t so certain the story itself was
true.
It would hardly be a gag; Steve wasn’t easily taken in. It was more
likely that one Institute officer, or perhaps several, believed the
saucers were space craft and aired their personal opinions. The
Institute wasn’t likely to give an official answer to something that
Project “Saucer” still declared unsolved.
If it were possible to get an inside look at Project “Saucer”
operations, I could soon tell whether it was an actual investigation or
a deliberate cover-up for something else. Whichever it was, the wall of
official. secrecy still hid it.
As a formality, I had called the Pentagon again and asked to talk with
some of the Project officers. As I expected, I was turned down. The
only alternative was to dig out the story by talking with pilots and
others who had been. quizzed by Project teams. I had several leads, and
_True_ had arranged some interviews for me.
My first stop was Chicago, where I met an airline official and two
commercial pilots. I saw the pilots first. Since they both talked in
confidence, I will not use their right names. One, a Midwesterner I
already knew, I’ll call Pete Farrell; the other, a wartime instructor,
Art Green.
Pete was about thirty-one, stocky, blue-eyed, with a pleasant,
intelligent face. Art Green was a little older, a lean, sunburned,
restless man with an emphatic voice. Pete had served with the Air Force
during the war; he was now part owner of a flying school, also a pilot
in the Air National Guard. Green was working for an air charter service
We met at the Palmer House. Art Green didn’t need much prompting to
talk about Project “Saucer.” After reporting a disk, seen during a West
Coast Right, he had been thoroughly grilled by a Project “Saucer” team.
“They practically took me apart,” he said irritably. “They’ve got a lot
of trick questions. Some of ’em are figured out to trip up anybody
faking a story. The way they worked on me, you’d think I committed a
murder.
Public-domain text, read in full here on John Shaqi.
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