Bildungsromans; Families -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction
She and her mother had completed their world trip; had come back across
America; and she had begun her college studies. She had counseled other
girls’ love affairs. She had been bridesmaid at many weddings. She had
beheld love in all its wealth of tenderness and idealism; and she had
seen it defiled and degraded to brutish lust. She knew what love could
do, that it was very beautiful and much to be desired. Yet she had a
feeling that when she loved, it would be with a force and passion that
would melt down the world—her world—and recast it. She must proceed
carefully and tolerate no blunders.
The name “Old Mother Hubbard” still clung to her. She could not always
approach her medical studies in that cold, impersonal way she felt was
necessary for professional success. Human beings were always human
beings, never biological cases for the application of abstract logic or
the working out of a theorem. At times she wondered if she were
constituted to make a success of medicine, particularly obstetrics. She
almost believed a course in nursing would have supplied that hunger in
her heart to alleviate suffering. But there were so many nurses—the life
was at times so proscribed and mechanical——
It was queer that Amos Ruggles had chosen that particular time to make
his call. Because a month before, her roommate of the past year had
suddenly abandoned her studies to become a wife, had written back from
Japan how much her life had been changed and enriched, contending that
the course which Madelaine had elected was unnatural and would never
wholly bring her Woman Happiness. That hurt most of all. Because of late
Madelaine had begun to doubt it herself. And yet, marrying Gordon!
Anybody but Gordon!
The fellow had a dread influence over her. She could not describe it. It
was cruelly mesmeric. It seemed to have persisted, in spite of all the
man’s behavior, since the first day she had beheld his hot young gaze
upon her. He had challenged her foster-mother that in the end he would
win her, by fair means or foul. Consistently through the past decade he
had kept in touch with her. Something in his eyes declared, “Fight as
much as you wish, my pretty lady; I’ll have my way in the end.” Now it
was plain that Gordon wanted her, as a man; he must have conveyed that
desire to his family or Amos never would have made his call. If Gordon
persisted long enough, would he break through her defenses and bear her
away in spite of herself? No, no, no!
Romance! What was romance?
The girl went back to her study table and tried to continue her thesis.
It was banal and lifeless and drab.
Romance! What was romance!
She threw down her fountain pen and cupped her cheeks with her hands.
Straight before her on the wall was a long, narrow, copper-hued frame.
Inside it, a liberal expanse of brown mapping. In the center of the
mapping was a faded strip of news-print.
Why was she saving that poem? Who was Nathaniel Forge and why should he
write such a poem?
Public-domain text, read in full here on John Shaqi.
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