Bildungsromans; Families -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction
Unconsciously she read over the lines again. And when she had come to
the name signed at the bottom, Madelaine Theddon did a strange thing,
for Madelaine Theddon. That wonder who Nathaniel Forge might be, and why
he should have written such a poem, started her thoughts romancing. That
romancing crystallized in a concrete decision. What harm could there be
in making a trip up to this Paris, Vermont, in the week of vacation
beginning Monday, and learning what she might of Nathaniel Forge—even
looking into his face, perhaps—provided she did not declare her identity
or divulge her errand?
The more she thought about it, the more the novelty of the proposal grew
upon her. She had saved that poem so long, it had meant so much, that
she wanted that wonderment answered.
Could it be possible that Kismet had ordained that the poem purposely
should find its way into her life for a beautiful purpose? She would
see. Why not?
She put away her ponderous books with their long, italicized words and
abstruse meanings. She would go to Paris, Vermont, that following
Monday, telling no one.
V
Madelaine arrived in our town at four o’clock of a drab, depressing
winter’s afternoon. The weather was treacherously balmy. The snow was
thin, hard-packed and dirty. Paris in no other season of year looked
less attractive or more mediocre. She alighted from the Junction train
and walked down the length of the station platform with a little dread.
Did she want to know about Nathaniel Forge, after all? Did she really
want to see him? Suppose he was hopeless, that the poem had simply been
a trick of circumstance and coincidence? Would it not be better to let
him remain ever as she had idealized him, whoever and whatever he was,
perhaps the One-Who-Might-Have-Been. Then she condemned herself for an
emotional, sentimental little weakling, afraid to face facts. She
wandered up Depot Street to East Main, carrying a light traveling bag,
looking for the hotel.
In her trim tailored suit of green worsted and small mannish hat, she
resembled a hundred traveling saleswomen or demonstration women of the
better class. Half a dozen drummers so “placed” her before she had been
in the Whitney House ten minutes. With a room secured, she started out
to see the town.
The town! She wandered up one side of Main Street and down the other.
She saw a jumble of drab, discouraged, discordant, chaotic blocks and
buildings such as border Main Street in every town of ten thousand
inhabitants from the Presidio to Plymouth Rock. Its people were a
painfully self-conscious, muddy-shoed procession of everybody not
mentioned in Who’s Who and never likely to be mentioned in Who’s Who.
The sky was smothered with depressing mist. It shut out the distant
mountain sky line. The sordidness and commonness of the community
grated—horribly.
Public-domain text, read in full here on John Shaqi.
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