Bildungsromans; Families -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction
The children, patronized by a few mothers, gathered around to learn what
the Forge boy had brought his dainty little hostess which should leave
all present speechless by its cleverness and elegance. Nathan, badly
scared, unwound copious quantities of newspaper and cast them aside.
Then, using all his thirteen-year strength, up onto the table amid the
lesser gifts, its weight causing that table to rock rather groggily for
a moment, Nathan added—a life-sized bust of Julius Cæsar. Cæsar. In
chalk!
The Duchess raised her lorgnette. She and Cæsar exchanged mutual glances
of stupefaction for an instant.
“But who is it?” she demanded.
“It must be a new kind of a big doll!” exclaimed a little girl with
violent pigtails.
“Why—why—it’s a—it’s a——” Nathan wanted all present to understand that
it was sculpture of most poetic motif having to do with the literary
ramifications of one W. Shakespeare. But he could not recall the words
“sculpture”, “statue” or “bust.”
“It’s a monument!” he choked. “For Julius Cæsar—I mean _of_ Julius
Cæsar. He divided Gaul into three parts and they stabbed him!”
“A monument!” cried the Duchess. “Stabbed him! And do you think he’s
buried hereabouts, that Bernice-Theresa should be edified with his
tombstone for a plaything?”
“You told Ma that Bernie was goin’ to read the best poets. I thought o’
this mon-mon-monument I s-s-seen in Weatherbee’s store. He’s got an ear
gone and his nose is bunged and maybe he needs washin’. But as far’s the
missin’ ear goes, you could stand it in a corner somewheres so’s his
head would be against the wall——”
“My God!” choked the Duchess. “William! William! Where’s William?”
William Chew, the elderly person of color, came forward.
“William,” cried the Duchess, “remove this nightmare. God love us! It
looks as if this unspeakable boy had brought Bernice-Theresa the upper
half of somebody’s whitewashed corpse!”
“Yes, ma’am!” assented William. “What yo’ want ah should do with it,
ma’am?”
“Do with it?” gasped the Duchess. “Take it home to your family! Set it
up on your front lawn! Hand it down to your children! Only get the
hideous thing off these premises and never bring it back!”
William obediently toted off the bust. Then the Duchess looked about for
the giver of this good and perfect gift. But Nathan had reached the gate
and was fleeing down the walk. For him there was no party.
William took the “monument” home. The last seen of it was atop a post in
the center of the Chew cornfield. The colored man had draped a coat
around the classic bust, hung trousers beneath it, put an old straw hat
on the brow that produced the Commentaries, and relegated it to the job
of scaring off the crows. Its end came when old Webster Nelson wandered
into the field one night under the influence of liquor, beheld the
chalky features beneath the hat, and reduced it to fragments under the
crazed obsession that he was being confronted by the supernatural.
III
Public-domain text, read in full here on John Shaqi.
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