England -- Social life and customs -- 19th century -- Fiction
Lady Marion in the meantime had carried her grievance against the
librarian straight to her mother, who, although not passionately
attached to her daughters, was kind and indulgent to them. After
hearing the story, she agreed to use her influence to procure the
dismissal of Amos Goodhare, the more readily as she herself shared the
popular prejudice against him.
“I don’t promise that your father will listen to me, my dear,” she
said. “I dare say you are old enough to guess that Goodhare is a
connection of the family, though, of course, we don’t talk about it.
He has to be provided for somehow, and I think your father looks upon
him as rather a dangerous man--one whom he likes to keep under his own
eye. Perhaps I am wrong, but that has always been my impression. And
I don’t suppose your father will think there is much in the story of
the lost treasure.”
Lady St. Austell was right. The earl pronounced the story to be “all
nonsense,” and said that at the beginning of the last century, to
which period he assigned the letter when the first part was shown to
him, people went mad on the subject of buried money, and would even
fit out ships to go in search of hoards said to have been left by
pirates on distant islands. However, he listened attentively to
Marion’s account of how she saw the librarian secrete part of the
letter in his own pocket. Although he said nothing on the subject to
Goodhare, perhaps he thought that his MSS. were not in safe keeping.
Shortly afterwards he established a public library in the little town
of Carstow, dowered it with a handsome supply of books and appointed
Amos Goodhare custodian, with a small furnished house rent free and a
more than ample salary.
Goodhare received news of the change in his position with his usual
dignified modesty, and declared that he was entirely at the earl’s
service always, and was happy provided he was allowed to remain near
the old town and castle of which he had grown so fond.
Public-domain text, read in full here on John Shaqi.
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