England -- Social life and customs -- 19th century -- Fiction
Lady Catherine was a reddish-haired, freckled little girl of sixteen,
very plump and very merry looking.
“Oh, wherever Rees Pennant is, I suppose,” answered her eldest sister,
Elizabeth, glancing out of window between the stitches of crewel work
over which she was bending.
Lady Elizabeth was, like her younger sister, round-cheeked and
blue-eyed; she had a fair complexion, golden hair, eyebrows and eye
lashes, a self-satisfied expression, and a figure which all the
back-boards, reclining boards, and all the dancing masters in Europe
could never have saved from being round-shouldered and “dumpy.”
Lady Catherine burst into a merry laugh, and from a sofa in the
shadier depths of the long room a plaintive, but cracked, voice wailed
out a request in French that “miladi Katte” would be quieter, and
would remember that “madame la comtesse,” her mother, wished her to
overcome her propensity to unladylike outbursts of merriment.
Mademoiselle de Laval, the duenna of the earl’s daughters, had been
specially chosen for the post for her abnormal ugliness, Lord St.
Austell holding that women’s virtue was always in inverse proportion
to their beauty. He had over-reached himself, however, for
mademoiselle, being a martyr to neuralgia and rheumatism, and finding
herself very comfortable in her Welsh home, would not for worlds have
endangered her situation by any indiscreet prying into the amusements
of her charges.
Lady Kate, with a grimace in her direction, crossed the room to her
sister, and sat down on a footstool by her side, with a scandal-loving
expression on her face.
“Rees Pennant,” she repeated in a hissing whisper; “do you think she
is in love with him?”
“I am sure of it!” cried Elizabeth, with all the superiority in such
matters which twenty possesses over sixteen.
Lady Kate chuckled to herself with intense amusement.
“Of course he isn’t in love with her,” she suggested, with a sister’s
partiality. “Marion is so gawky and Rees is so handsome. It would be
like a figure of Raffaele falling in love with an Anglo-Saxon saint.”
“What’s the use of their falling in love, either of them?” said
Elizabeth prosaically. “They can’t marry.”
“Why not? He is the eldest son, and Captain Pennant’s family is as old
as ours. And look at us! We’re not beauties, and I know papa does not
mean to give us very handsome fortunes, or else you would have had an
offer before this. You’re twenty, you know.”
“Certainly. And I don’t want any offer,” answered her sister, not
without a pardonable suspicion of tartness. “But I certainly shouldn’t
condescend to flirt with a man beneath me in rank, and without a
penny. And there must be madness in the family, or Captain Pennant
would never have adopted a fisherman’s baby and brought it up as his
own child.”
“Deborah’s very pretty,” said Lady Kate, thoughtfully. “If we were
half as good-looking we should have been photographed all over the
place as beauties.”
Public-domain text, read in full here on John Shaqi.
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