England -- Social life and customs -- 19th century -- Fiction
But in his grave and beautifully modulated voice Lady Marion detected
a tone of impatience at the trivial cause of this interruption. She
was by this time already in the nook under the stairs, making the most
of her time, for she guessed that it would not be long before Amos
would find an excuse for returning to the occupation which had
absorbed him so deeply. She flung open the chest with violence, which
caused its old hinges to creak and little splinters to fly off the
worm-eaten wood, while she, half choked by the dust, groped blindly
among the mass of mouldering, musty parchments, pamphlets and papers.
It was some minutes before the air was clear enough, and her eyes
sufficiently used to the obscurity of the ill-lighted corner, for her
to begin her search in earnest. Deep down into the withered-looking
heap she dived, and, after many a futile plunge, fished up at last a
crumpled paper, which she felt sure was the one on which Amos had been
engaged.
It was part of an old letter, undated, but bearing every sign, in its
yellowish paper, faded ink, old-fashioned handwriting, and voluminous
style, of having been written long before the introduction of the
penny post. The page containing the signature was missing, but the
commencement, “My dear Oswin,” showed that it was written to one of
her ancestors--Oswin being a family name--and internal evidence proved
that it was from one intimate friend to another.
The writer began by regretting that his own health was so bad, not
having been improved by a long voyage he had recently taken to improve
it, that he was unable to come to see his friend Oswin, who, he was
sorry to hear, was also far from well. He wrote in the strain of a man
who thinks the end of his own life approaching.
Public-domain text, read in full here on John Shaqi.
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