The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de BeaumarchaisBeaumarchais, Pierre Augustin Caron de
General
The Follies of a Day; or, The Marriage of Figaro: A comedy, as it is now performing at the Theatre-Royal, Covent-Garden. From the French of M. de Beaumarchais
Beaumarchais, Pierre Augustin Caron de
Comedy plays; French drama -- Translations into English
I am so well convinced that the best Writer stands in need
of Indulgence, and that he only does well by Comparison,
and might do much better, that I shall find little
Mortification in subscribing to the Opinions of those who
shall tell me I am in this latter Predicament.
Readers are divided into two Classes; the one will allow an
Author much more than he merits, and the other much less;
but the principal Excellencies of _The Follies of a Day_
are so known to be another’s Right, that for me to claim
them would be ridiculous. Some, however, have affirmed that
it is a mere Translation, who have never seen, read, or
heard the Original; if they had, indeed, they would have
been still more culpable. Few will trouble themselves to
examine the precise Extent of my Claims; nor, if they did,
would they have an Opportunity ’till M. _de Beaumarchais_
shall think proper to publish LA FOLLE JOURNÉE. The Public
in general are so willing to overlook Defects, and applaud
wherever they can, that to complain of, or be angry at
the Few who seek for, and wish to find, Errors only, can
proceed alone from that Self-love which is so inherent and
irritable in all bosoms, and so difficult to subdue.
To enumerate all the Obstacles encountered and overcome
in bringing this Comedy on the English Stage, would be
to indulge this Vanity; which it is every wise Man’s
Pride, and every prudent Man’s Interest to resist. It may,
however, afford some Pleasure to be informed, that, finding
it impossible to procure a Copy of the original French,
though a Journey to Paris was undertaken expressly for that
Purpose, the Copy made use of in the composing _The Follies
of a Day_, was taken by Memory, only, during eight or nine
Representations; that I furnished the Plot, Incidents,
Entrances, and Exits, and gave some other occasional Hints;
that the remainder was the Work of a young Frenchman, whose
Talents and whose Heart are an Ornament and an Honour to
his Country; and that, after it was brought to _England_
and received by Mr. _Harris_, it was translated, cast,
copied, recopied, studied, and, in one of its longest
Parts, re-studied, and played in little more than a Month.
The Attention and Care of Mr. _Harris_, and the Merits
of the respective Performers in playing, as they did,
under such Circumstances, need not my Encomiums. Had the
Town known the peculiar Exertions, of those especially
who performed the longest and most essential Parts, the
applause would have been endless. From me they are justly
entitled to my warmest and sincerest Thanks.
UPPER MARY-LE-BONE STREET,
FEB. 21, 1785.
PROLOGUE,
Spoken by Mr. DAVIES.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account