The Footpath Way: An Anthology for Walkers — John Shaqi
The Footpath Way: An Anthology for Walkers
Philosophy
The Footpath Way: An Anthology for Walkers
Walking
For instance, what is the true signification of that immense mass of
territory and population known by the name of China to us? An inch of
pasteboard on a wooden globe, of no more account than a china orange!
Things near us are seen of the size of life; things at a distance are
diminished to the size of the understanding. We measure the universe
by ourselves, and even comprehend the texture of our own being only
piecemeal. In this way, however, we remember an infinity of things and
places. The mind is like a mechanical instrument that plays a great
variety of tunes, but it must play them in succession. One idea recalls
another, but at the same time excludes all others. In trying to renew
old recollections, we cannot as it were unfold the whole web of our
existence; we must pick out the single threads. So in coming to a
place where we have formerly lived, and with which we have intimate
associations, every one must have found that the feeling grows more
vivid the nearer we approach the spot, from the mere anticipation of
the actual impression: we remember circumstances, feelings, persons,
faces, names that we had not thought of for years; but for the time all
the rest of the world is forgotten! To return to the question I have
quitted above:
I have no objection to go to see ruins, aqueducts, pictures, in company
with a friend or a party, but rather the contrary, for the former
reason reversed. They are intelligible matters, and will bear talking
about. The sentiment here is not tacit, but communicable and overt.
Salisbury Plain is barren of criticism, but Stonehenge will bear a
discussion antiquarian, picturesque, and philosophical. In setting out
on a party of pleasure, the first consideration always is where we
shall go to: in taking a solitary ramble, the question is what we shall
meet with by the way. "The mind is its own place"; nor are we anxious
to arrive at the end of our journey. I can myself do the honours
indifferently well to the works of art and curiosity. I once took a
party to Oxford, with no mean _Èclat_--showed them that seat of the
Muses at a distance,
"With glistering spires and pinnacles adorn'd,"
descanted on the learned air that breathes from the grassy quadrangles
and stone walls of halls and colleges; was at home in the Bodleian;
and at Blenheim quite superseded the powdered cicerone that attended
us, and that pointed in vain with his wand to commonplace beauties in
matchless pictures.
Public-domain text, read in full here on John Shaqi.
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