The foreign debt of English literatureTucker, T. G. (Thomas George)
History
The foreign debt of English literature
Tucker, T. G. (Thomas George)
Comparative literature; English literature -- History and criticism
But the Saracens were by no means sunk in sententiousness or frivolity.
They were impassioned for philosophy and science, especially the
sciences of mathematics, astronomy, medicine, and chemistry. For their
acquirements in these directions they were indebted to the Greeks, and
chiefly through the Syrians of Mesopotamia. Here Hellenism, introduced
by Alexander, had grown into peculiar strength, nor was the Greek blood
itself inconsiderable. From the Syrians the Arabs derived their knowledge
both of Aristotle and of Plato, although, from their practical turn of
mind, it was the Aristotelian philosophy which they mainly affected, and
which passed into the famous Arabic translation of Averrhoes. Carried
to Cordova, much of this learning, and particularly that derived from
Aristotle, was disseminated through western Europe. The Arabic influence
on thought, reflected from Greece, was therefore great. From a more
purely literary point of view, we must reckon with the introduction of
Oriental apologues and tales, although many of these, as will be seen
immediately, come in also from eastern Europe through a Greek medium.
In point of form it is impossible not to conclude that the minstrelsy
and poetry which prevailed in Moorish Spain contributed liberally to
the fashioning of the troubadour poetry of Provence. The itinerant Arab
minstrel was not welcomed solely by Moors; he played his part among the
true Spaniards, and Spaniards themselves turned minstrels after the
same fashion. The eastern, or Catalonian, part of Spain was in language
virtually identical with the neighbouring south of France, and no border
separated the Catalonian minstrelsy from the Provençal districts. In 1112
the Count of Barcelona became the ruler of Provence, and in his train
followed all the poetry and song which had grown familiar in Catalonia.
It is dangerous to attempt to decide the more and less of direct
borrowing; but the manner of the troubadour, his rhymes, his themes of
the _tenso_, the _planh_, and the morning and evening songs, so closely
recall the machinery and devices of the Saracens, that the affiliation
can hardly be denied.
(7) Direct effect of Greece upon Europe to the West was in abeyance from
the fall of Rome till the Renaissance. Occasionally indeed, but very
seldom, we hear of scholars who read some Greek, and Theodore of Tarsus
actually visited and taught in Anglo-Saxon England in the later seventh
century. But such influence of Greek work as appears during the dark and
mediaeval times comes only in circuitous ways and from inferior writers
of inferior matter. It for the most part appears in stories derived
from the post-classical Greek romances, or from Oriental tales first
translated into Greek and then recast into Latin.
Public-domain text, read in full here on John Shaqi.
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