well ask to what extremes of violence these antipacifist repressions
will some day be carried. The alleged freedom of speech in the United
States would appear to be pure humbug. "In actual fact," exclaims Max
Eastman, "freedom of speech has never existed." It is by law
established. "But in practice there reigns a contempt for law, to the
advantage of the strong and to the detriment of the weak." We have long
known this through the revelations of the Italian and Russian socialist
press, in connection with the scandalous sentences passed on working
men. Do pacifists give trouble? They are arrested as anarchists! Does a
periodical refuse to bow to the opinion of the state? It is suppressed
without parley; or sometimes, by a more refined procedure, it is
prosecuted for obscenity![26] And so on.
Max Eastman's chief collaborator, John Reed, endeavours to throw light
on the preponderating role played by American capitalism in the war. In
an article which adopts as title that of Norman Angell's book _The Great
Illusion_, Reed declares that the pretence of fighting kings is maudlin,
and that Money is the true king. Putting his finger on the sore spot, he
adduces figures showing the colossal profits made by the great American
companies. Under the bizarre title _The Myth of American Fatness_,[27]
he shows that it is not, as Europe fancies, the American nation which
battens on the war, but only two per cent of the population.
Ninety-eight per cent of the inhabitants of the States are thin folk,
and grow thinner daily. During the years 1912 to 1916, wages increased
nine per cent, whilst the cost of food increased seventy-four per cent
during the years 1915 and 1916. From 1913 to 1917, the general rise in
prices was 85.32 per cent (flour 69 per cent, eggs 61 per cent, potatoes
224 per cent! Between January 1915 and January 1917, the rise in the
price of coal was from $5 to $8.75 per ton). The bulk of the population
has suffered cruelly, and serious hunger strikes have taken place in New
York. Of course the European press has either said nothing about these
or has ascribed them to German plots.
Public-domain text, read in full here on John Shaqi.
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