The Forest Farm: Tales of the Austrian TyrolRosegger, Peter
General
The Forest Farm: Tales of the Austrian Tyrol
Rosegger, Peter
Domestic fiction; Historical fiction; Short stories, Austrian -- Translations into English; Tyrol (Austria) -- Fiction
The cemetery lies outside the village, on a gentle eminence, between
fields and meadows. It is far from small, for the parish stretches to a
great distance over hill and dale. It is enclosed with a plank fence
and contains many crosses of wood and rusty iron; and in the middle
rises the image of Christ crucified.
Before this image, on the right, was the deep grave, at the exact spot
where, years ago, they had buried our mother's two children who had
died. A mound of freshly-dug earth lay on either side of the grave.
Here the bearers let the coffin down to the ground and stripped it of
all its finery; and it slid down into the pit as poor as it had left
the cottage in the wood.
"Thou to-day, I to-morrow; and so I am content," murmured father.
And the priest said:
"May she rest in the Lord!"
Then they cast clods of earth into the grave and went away, went to the
inn, tasted bread and wine and talked of everyday things. When it was
twelve o'clock and, according to custom, the bells began to toll once
more, as a last farewell to the departed, the men and women of the
forest set out to return to their mountain valley.
We who belonged to one another sat together for a while longer and
spoke sadly of the time that must now come and how to arrange for it.
Then we took leave of one another: my father and brothers and sisters
went home to the cottage in the wood, to live and die where mother had
lived and died.
FOOTNOTES:
[20] Fasting or abstaining from flesh-meat on Saturdays, in honour of
Our Lady, is a custom, an act of voluntary discipline, prevailing
almost exclusively in the German and Austrian Highlands.--_Translator's
Note._
[21] Hella, daughter of Laki and goddess of the dead, is the Persephone
of Norse mythology.--_Translator's Note._
THE END
Transcriber's note:
In the text version italics are represented with _underscore_ and small
caps with ALL CAPS.
In the caption to the Frontispiece, the artist is named as Milicent
Norris, elsewhere Melicent is used.
Ambiguous hyphens at the ends of lines were retained. The following
corrections have been made:
Table of Contents: who went to prison -> period added after prison
p. 16: in the Murztal; -> Murztal changed to Mürztal
p. 18: bellettristic newspapers -> bellettristic changed to belletristic
p. 27: Sünders was printed with a breve mark above the u instead of ü
p. 76: something about him. -> added closing quotation mark after him.
p. 129: diff erently -> differently
p. 154: liked carved -> liked changed to like
p. 171: It can't be possible---- Why -> added exclamation mark after
possible----
p. 172: as Grosshöfen -> as changed to at
p. 174: schoo teacher -> schoo changed to school
p. 195: a telegram -> added colon after telegram
p. 201: came to us see -> came to see us
Everything else has been retained as printed, including archaic,
uncommon and inconsistent spelling and inconsistent hyphenation.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account