The Forest Farm: Tales of the Austrian Tyrol — John Shaqi
The Forest Farm: Tales of the Austrian TyrolRosegger, Peter
General
The Forest Farm: Tales of the Austrian Tyrol
Rosegger, Peter
Domestic fiction; Historical fiction; Short stories, Austrian -- Translations into English; Tyrol (Austria) -- Fiction
A few seconds later I was lifted out of my shell by my parents, and I
fell at my father's feet and clung whimpering to his knee.
"Father, father!" were the only words I could stammer out. He reached
down to me with both his arms, lifted me up to his breast, and my hair
was wet with his tears.
In that moment the eyes of my understanding were opened.
I saw how dreadful it was to anger and offend such a father. But I saw,
too, why I had done so--from sheer longing to see my father's face
before me, to be able to look into his eyes and hear his voice speaking
to _me_. If he could not be cheery as others were with me, and as he,
at that time so care-laden, seldom was, then I would at least look into
his angry eyes, hear his harsh words. They went tingling deliciously
all through me, and drew me to him with irresistible might. At least
they were my father's eyes and words.
No further jar unhallowed our Christmas Eve, and from that day on
things were very different. My father had become deeply aware of his
love for me and my devotion to him; and, in many an hour of play, work,
and rest, bestowed upon me his dear face and kindly conversation, so
that I never again needed to get them by guile.
FOOTNOTE:
[2] A place of pilgrimage in Styria.
II
How I Gave God My Sunday Jacket
The church of the Alpine village of Ratten contains a nearly life-size
equestrian statue, standing to the left of the high altar. The horseman
is a splendid warrior; he wears a crested helmet and moustaches black
as ebony. He has drawn his broad and gleaming sword and is using it to
cut his cloak in half. At the foot of the prancing steed cowers the
figure of a ragged beggar-man.
My mother used to take me to this church when I was still a little
whipper-snapper, hardly up to the height of an ordinary person's
trousers. Near the church stands a lady-chapel, famed for its many
graces; and here my mother loved to pray. Often, when there was not
another soul remaining in the chapel and twelve o'clock struck and the
steeple sent the midday Angelus clanging out across the summer Sunday,
mother would still be kneeling on one of the chairs and sending up her
plaint to Mary. The Blessed Virgin sat on the altar, with her hand in
her lap, and moved not head, nor eyes, nor hands; and so, little by
little, my mother was able to say what she wanted.
I preferred to stop in the church and gaze at the fine rider on his
horse.
And once, when we were on our way home and mother leading me by the
hand (and I had always to take three steps for every one of hers), I
raised my little head to her kind face and asked:
"Why does the man on horseback keep on standing against the wall up
there? Why does he not ride out through the window into the street?"
Then mother answered:
"Because you put such childish questions and because it is only a
statue, the statue of St. Martin, who was a soldier and a very
charitable and pious man and is now in Heaven."
Public-domain text, read in full here on John Shaqi.
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