The Forest Farm: Tales of the Austrian TyrolRosegger, Peter
General
The Forest Farm: Tales of the Austrian Tyrol
Rosegger, Peter
Domestic fiction; Historical fiction; Short stories, Austrian -- Translations into English; Tyrol (Austria) -- Fiction
soldiers, and perhaps I have not long to live. Be Thou a guardian to
the child, I beseech Thee."
That was how she prayed. The little red candles burned devoutly. At
that moment it seemed to me that if I were Our Lord I would come down
from Heaven and take the child in my arms, and say, "See for yourself,
Frau Drachenbinder, I am holding him close to My heart, and I will be
his guardian." I would let him grow white wings, so that he could fly
away to the Better Land.
But then, I wasn't Our Lord.
Presently Frau Drachenbinder said, "Now let's get to the writing." But
when we wanted to begin there was no ink and no pen and no paper. We
had forgotten every one of these things.
The old woman leant her head on her palm, murmuring, "What a
misfortune!"
I had heard somewhere the story of the doctor who in default of the
necessary things wrote his prescription on the door of the room with
chalk. His example was worth following now; but there was no chalk to
be found in the house. I didn't know what else to suggest, and was
unspeakably ashamed of being a scribe without a pen.
"My boy," said the woman suddenly, "maybe you learned to write with
charcoal too?"
Yes, yes--with the charcoal--just like that on the hearth there; that
would do!
"And this, in God's name, must be my writing-paper," she went on, and
lifted the lid of an old coffer standing near the stove. Inside the
coffer I could see cuttings of cloth, a piece of linen, and a rusty
spade. When she saw me looking at the spade, she looked sadly confused,
covered her old face with her brown apron, muttering, "It's a real
disgrace!"
I was stricken, for I took this to be a reproach for my having no
writing things about me.
"I expect you'll be making fun of me," she said. "But don't you go and
think badly of me--I can't do more than I do, I really couldn't do a
thing more--I'm a fairly worn-out old body!"
Then I thought I understood: the poor old woman felt herself disgraced
because she could no longer handle the spade, and it had therefore gone
rusty. I looked about on the hearth for a bit of soft charcoal. The
pine-tree was obliging, and lent me the pen wherewith to write out Frau
Drachenbinder's will, or whatever it might prove to be.
Just when the grey coffer was opened and I standing there ready to take
down her words, that they might deliver their message to her grandchild
in the years to come, the old woman beside me uttered a loud cry. She
turned away quickly, crowed again, and then broke into hoarse laughter.
In terror I broke the charcoal in my fingers and glanced askance at the
door.
When she had done laughing, she grew quiet, drew a deep breath, wiped
the sweat from her face, and turning again to me, said, "Write this--it
won't come to much altogether--still, you'd best begin up in the top
corner, there."
I placed my hand on the topmost corner of the lid. Then the woman spoke
as follows:
"One and one is God alone.--That, child of my child, is thy very own."
Public-domain text, read in full here on John Shaqi.
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