When the triumphant Saviour passes through the village in the shape of bread, they greet Him with palms. The palm of the alps is the birch. Even as the little fir-trees are doomed to lose their lives at Christmas-time, so do the birches at Corpus Christi. They are dragged to the village by the hundred, on great drays, and planted in rows on both sides of the streets through which the procession is intended to go. And, as they stand there in the fresh-turned earth, with their graceful branches rustling in the soft wind, it is as though they were still leading the young and happy lives of their brothers and sisters in the woods. And no one notices that the trunk stands in the earth without its roots, chopped off by the axe, that the sap no longer courses through its veins, that, in a few days, the pretty little notched and heart-shaped leaves will turn yellow; nor does the caterpillar on a yielding branch, as it dreams of its coming butterfly existence, suspect that it is rocking upon a corpse. Life is fulfilled: lo, the Lord cometh. At the Corpus Christi procession, the gospels are read in the open air at four different spots. For this purpose, the people set up four altars, so that "the Lord God may rest on His journey." By ancient custom, it falls to him upon whose ground the altar is to stand to erect this altar. Its several parts, all nicely carved and painted, have rested during the year in a dark corner of the loft and are now brought forth, cleansed of their dust and cobwebs and put together in the open. The result is often a noble building of the chapel order, with altar-table, tabernacle, worshipping angels, candlesticks and all. Farm-labourers, who but yesterday were digging manure, to-day prove themselves accomplished architects, building the altar before the sun-down and surrounding it with a little wood of birch or larch. The head of the house places all the images of the saints which he possesses on the altar, or fastens them high up on the pillars. The farmer's wife brings gaudy pots of crimson peonies to adorn the altar; and the little girls strew flowers and rose-leaves as a carpet for the steps. The bells begin to ring, the mortars boom, music swells far and wide over the roofs, lights burn in every window; and the time has come for the farmer to light the candles on his altar too. Soon the first pennants come in sight, the hum is heard of the men's prayers and the echo of the women's singing; and the long lines of children approach, the girls in white, carrying gaily-coloured banners above their heads. Finally, the band, with shrill trumpets and rumbling drums, and then the _baldachino_, the red canopy upheld by four men, and, under it, surrounded by ministrants and acolytes, the priest, carrying the gleaming monstrance high before his face. The monstrance, as we all know, is the house in which the Host resides surrounded by a wreath of golden rays, resting on a crescent-shaped holder and protected by a crystal glass.